Super Mario Bros. (1993) Poster


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Bob Hoskins didn't know that the film he was making was based on a game, until his son asked him what he was working on. When Hoskins mentioned the film's title, his son immediately recognized it and showed Hoskins the game on his own Nintendo.
Nearly a half-hour of footage was cut to give the movie a proper running time. Deleted scenes include:
  • An extended sequence of Koopa chasing Daisy's mother in New York, which featured him gazing admiringly at the buildings which would later inspire his warped construction projects in Dinohattan.
  • Mario and Luigi actually confronting the "Scapelli brothers", Mike and Doug, in the River Front Café. They threaten the café's owner, Pascal, by invoking their boss' name. Pascal takes Mario aside and offers him and Luigi a free lunch to make it up to them, which leads to:
  • An alternate scene of Mario and Luigi eating. Daisy enters the café and uses the payphone inside, slipping on a wet floor as she leaves. Luigi catches her and the movie continues that way.
  • Mario and Luigi getting ready for their dinner date, during which Luigi expresses embarrassment at being a plumber. Mario chastises him and tells him he has no "family pride."
  • An extended sequence in the de-evolution chamber, during which one of the devo technicians is de-evolved into slime. A puddle can still be seen on the floor in the final film.
  • Iggy and Spike get drunk at the Boom Boom Bar and rap, which Lena cites later to Koopa as them "preaching your overthrow."
-Various assorted scenes, including additional sequences from the cut "family pride" subplot.
In his 2007 autobiography John Leguizamo states he and Bob Hoskins hated working on the film and would frequently get drunk to make it through the experience. Both men apparently knew the movie would turn out bad, so they simply tried to make the best of it. He also stated he felt one of the biggest reasons the movie turned out the way it did was because the directors wanted a more "adult" movie while the studio, considering the source material, was looking for a children's film.
Although Bob Hoskins said that this is the worst film he ever made, his son Jack Hoskins is a fan of this film, praising his dad's performance. He said that he was too young to understand the poor reviews and now that he's old enough, he doesn't care. He quoted on the film's fan website "SMBArchive.com": "If there's anyone reading this, please understand that it's no one's intention to ruin the classics. One last thing; if you remember your past enjoyments, then it would definitely keep your childhood memories alive and safely locked in your head forever."
During a chase scene, Bob Hoskins broke his finger when the van's door slammed on his hand. For the rest of the film, Hoskins is wearing a cast that was painted pink to look like a hand.
The "De-evolution" guns seen at the end of the film are simply repainted versions of the Super Nintendo light gun accessory, the "Super Scope."
An article in "Spy" magazine claimed that the script was being rewritten so many times during production that the actors stopped paying attention to these daily rewrites.
Tom Hanks wanted the role of Mario, but Nintendo worried that the star of Turner & Hooch (1989) and Joe Versus the Volcano (1990) couldn't headline a blockbuster.
After the film bombed at the Box Office, Nintendo never produced any more live-action theatrical films based on their video game franchises. A "Metroid" film was put into development, but never went past pre-production.
Dennis Hopper explained why he did the film - "I made a picture called Super Mario Bros., and my six-year-old son at the time - he's now 18 - he said, 'Dad, I think you're probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros.?' and I said, 'Well Henry, I did that so you could have shoes,' and he said, 'Dad, I don't need shoes that badly.'"
The Yoshi puppet was capable of making 64 separate movements due to 200 feet of cable crammed inside its 3 foot tall structure. In all, no less than 9 puppeteers were used to operate the Yoshi puppet.
Bob Hoskins was quite unhappy with this film and his experience working on it. In an August 2007 interview, he proclaimed Super Mario Bros. as the worst thing he ever did.
One version of the script contained a cameo for Bruce Willis where he tunneled through the air ducts of King Koopa's castle in a spoof of his role in Die Hard (1988).
An early draft of the script shows that Bowser only disguises himself as a human in his first two scenes, the Princess character is named Hildy and Bowser wants to marry her in attempt to obtain the Crown of Invincibility with which to take over the Mushroom Kingdom. Actual game enemies such as Piranha Plants and Thwomps make appearances, Toad accompanies the Mario Bros. throughout their journey as a main character, a baby dinosaur named Junior thinks Mario is his mother, Luigi gets Raccoon Power at one point, one of Bowser's lackeys (a possible prototype for Kamek) tells Mario "Your Princess Is in Another Castle", Mario and Luigi sing a song for Bowser, Bowser ends up falling into a pit of lava... In other words, this draft is much more faithful to the games.
Arnold Schwarzenegger turned down the role of King Koopa.
In a 2011 interview with The Guardian, Bob Hoskins described the film's production - "It was a f*ckin' nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks their own agent told them to get off the set! F*ckin' nightmare. F*ckin' idiots."
John Leguizamo accidentally broke one of Bob Hoskins's fingers during a stunt involving the Mario van. According to Leguizamo, when it happened, Hoskins started cussing profusely and incoherently.
Dennis Hopper described the film's production - "It was a nightmare, very honestly, that movie. It was a husband and wife directing team who were both control freaks and wouldn't talk before they made decisions. Anyway, I was supposed to go down there for five weeks, and I was there for 17. It was so over budget."
According to John Leguizamo in his autobiography, Rocky Morton once poured hot coffee on an extra's head because he didn't like the extra's costume.
Michael Keaton was approached to play Koopa, but he passed on the role.
Barry Morrow wrote a draft of the screenplay but producers felt his draft was a little too much like his previous film Rain Man (1988).
Allegedly due to drinking on set, John Leguizamo was hit by a car, breaking his leg. You can even see the cast in some shots of the movie.
Before Bob Hoskins was officially cast, Danny DeVito and Bruno Kirby were both attached to play the role of Mario at different times.
The script called for a finale in which Mario would scale the Brooklyn bridge and drop a Bob-omb down King Koopa's throat. However with production over schedule and over budget the idea had to be scrapped.
Harold Ramis was offered to direct the film, but declined.
In addition to breaking his finger, Bob Hoskins recalled that he was stabbed four times, electrocuted and nearly drowned. "And that's just what happened to me".
The set for Dinohattan was built in an abandoned cement factory called the Ideal Cement Factory in the woods outside of Wilmington, North Carolina. Set designs were adapted to the existing structure of the building. This factory was also used as the Shredder and the Foot Clan's hideout in Teenage Mutant Ninja Turtles (1990) and Top Dollar's nightclub in The Crow (1994).
According to the post-production supervisor, this had the most ADR-looping of any film she had ever encountered.
This was the first Hollywood film directly based on a specific video game property.
Various items from the video games appear, in at least name, throughout the film. These include Bob-ombs (a deceptively tiny wind-up bomb in the film), Thwomps (Thwomp Stompers are oversize footwear), Koopahari Desert (most of the world is this desert), Yoshi (a baby T. rex), Goombas (transformed citizens), Big Bertha (the woman who steals the pendant and that Mario dance with later on), and Bullet Bills (a cartridge with a face used to power the Thwomp Stomper boots), mention of Fry Guy(a poster on the wall when the woman checks in the plumbers tool belts at the bar), and on the projector screens in the boom boom bar there is a graphic of Bowser's hideout from Super Mario World game being bounced around.
Lance Henriksen met his second wife Jane Pollack on the set.
Shigeru Miyamoto, Mario's creator, stated, "[In] the end, it was a very fun project that they put a lot of effort into," but also said, "The one thing that I still have some regrets about is that the movie may have tried to get a little too close to what the Mario Bros. video games were. And in that sense, it became a movie that was about a video game, rather than being an entertaining movie in and of itself."
Rocky Morton reflected on the movie in 2016 as a "harrowing" experience. He explained that he and Annabel Jankel, along with the rest of the cast, agreed to make the movie based on the script originally written by Dick Clement and Ian La Frenais, which focused on Mario and Luigi's complicated but loving family dynamic that they had developed in the absence of their parents. However, just a few weeks before shooting was to begin, the studio financing the film demanded significant rewrites to make the film more childlike and comedic. The final result, according to Morton, was a script that was not at all like the script that he, Jenkel, and the cast had signed on to film, and that the tone of the new script was not at all compatible with the sets, which had already been built. Morton also reflected that he felt very uneasy being put in the position of having to defend the new script. In addition, working with Dennis Hopper was "really, really hard. Really hard. I don't think [Dennis Hopper] had a clue what was going on." Despite describing the overall experience as humiliating, Morton is proud of the film considering the chaos created as a result of the late and unexpected script rewrites.
Kevin Costner turned down the offer to play King Koopa.
Not once during the movie does Mario ever mention Daisy by name.
More than 1 1/2 square miles of plywood, 150 tons of steel, and 62 miles of lumber was used to create the Dinohattan set.
Peter Levy was the original director of photography, but was fired after the directors and producer were unhappy with his work. Dean Semler was called in to replace him, and within less than a week of joining, Semler contacted Levy and said that he regretted signing onto the movie.
According to John Leguizamo, the filmmakers hired actual strippers for the nightclub scene.
Dick Clement, Ian La Frenais, and Ryan Rowe all did uncredited rewrites on the script.
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Once production started to move forward, Roland Joffé and Jake Eberts began to worry that the project had skewed too far from the original vision of a childrens' film. In hopes of returning to that spirit while also preserving the current production they hired writers Ed Solomon and 'Ryan Rowe' (qV) to act as script doctors to the previous work by Dick Clement and Ian Le Frenais. This new script was written without input from the directors, which would form a rift between them and the producers throughout the duration of the project. The aim of this new script was to remove or lighten the mature undertones, in favour of a lighter and more practical adventure for the family. Many key scenes were rewritten with a smaller budget in mind, including the climax which now saw Koopa de-evolved into a Yoshi-like creature rather than the original towering T. rex. Most prominent is the addition of a Disneyesque wedding sequence for the film's ending in which Mario marries girlfriend Daniella; this subplot would remain in the film, only to be cut in the editing room.
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Dick Clement and Ian La Frenais turned in a script that was was so sophisticated and intelligent that it inspired Bob Hoskins, Dennis Hopper and Fiona Shaw to sign onto the project. However, the producers feared it wasn't kid-friendly enough, so they forced heavy re-writes and barred the directors from contributing to them. This version comes across much more sophisticated and adult-oriented than before with its "Mad Max"-style death races in the desert, wry British political satire and hedonistic behavior among the reptilian populace. However, the trade-off for this stronger narrative is a much looser connection to the games.
When Daisy is using the panel in the room with her father as a fungus, the noise that boots it up is the iconic sound for getting a 1-up in Mario games.
The scene where Mario saves the Brooklyn Babes (the other women who were captured by Spike and Iggy) and they escape via ice tunnel on a bed mattress with the goombas chasing after them was very hectic to shoot. The heads that the actors playing the goombas wore were so heavy that they kept falling off. While on the mattress with Mario and the Brooklyn Babes, someone thought they were going too slow, so the loosened one of the wires that was pulling them. The crew stopped for lunch and when they came back, nobody checked the rig. They shot the scene where they flew out of the tunnel only they were going way too fast and out of control. With the exception of Bob Hoskins' stunt double, the rest of them were the actresses. One of the girls nearly fell off the mattress and it would have been a 25 ft drop to solid concrete. They all stayed on the mattress, but it flipped over once they landed on the ground and they all smashed their heads. Aside from some bruises, they all turned out okay.
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Mario and Luigi don't dress in their trademarked colored outfits until 66 minutes into the movie.
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None of the enemies in the film ever refer to Mario and Luigi by their first names. They only refer to them as "Plumbers, Mammals, and Monkeys." The only exception is the desk sergeant, who refers to them as "Marios" and "Mario Brothers."
Parker Bennett and Terry Runte were heavily inspired the genre-aware sensibilities of 'Ghostbusters' (1984)_ and Bill Murray, so in another draft, they envisioned a world that didn't take itself too seriously despite the serious implications oozing from the city sewers. Their initial opening for the film saw Mario as a sleazier character in the vein of Murray. However, once Parker and Terry discovered that Bob Hoskins was being sought for the role they realized they needed to rewrite the character as someone older and more likable. The script would soon after be rewritten to feature a more family-friendly tone and completely new characterizations.
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John Leguizamo was annoyed that he wasn't allowed to ad-lib in the film.
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Rocky Morton and Annabel Jankel were hired to direct the film, based on their work on Max Headroom (1987).
According to TV Guide, the movie was originally planned to be released in 1991 and would have been animated.
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Rocky Morton and Annabel Jankel were constantly at odd with the studio. They wanted a darker, more adult film, while the studio wanted a family film.
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Mario is a very typical Italian first name, but it's also an Italian surname, albeit a very uncommon one. Thus it's not impossible to have in real life people called "Mario Mario" or "Luigi Mario", just very improbable.
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Bob Hoskins was cast as Mario because he was believed to be a more profitable actor.
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Mojo Nixon was legitimately terrified of Dennis Hopper', particularly the scene where he was de-evolving and strapped to the chair.
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The suggestion for a film based on the Super Mario Brothers was first put forward by Roland Joffé during a script meeting at his production company Lightmotive. Joffé met the Nintendo of America president and Hiroshi Yamauchi's son-in law Minoru Arakawa. He presented Arakawa with an initial draft of the script. One month after their meeting, Joffé went to Nintendo's corporate headquarters in Kyoto spending 10 days waiting to meet Hiroshi Yamauchi. After some time, Joffé received a phone call summoning him to Yamauchi's office. He pitched to Yamauchi the storyline which led to Nintendo receiving interest in the project. When Joffé was questioned about Nintendo having to sell the rights to a small studio company instead of a major company, he believed that Nintendo would have more control over the film.
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The animated dinosaur prologue was the final addition to the movie during the post-production process. According to Parker Bennett, the producers had held screenings of the film that left audiences confused. In order to avoid theatrical frustration, they opted to add the prologue to the beginning of the film to simply spell it out. This prologue never existed in any of the early scripts. Rather, the film was meant to start on a primordial setting complete with realistic dinosaurs before a meteorite catastrophically obliterated the landscape. A brief portion of this original opening can be seen at the end of the animated sequence. Parker and Terry Runte offered only three different versions of the animated prologue in this document, with the only difference being slightly different dialogue between the talking dinosaurs.
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Parker Bennett and Terry Runte submitted a script represents the early transition from the original fantasy-oriented take to the more grounded sci-fi take of the final film. They felt that the story was never funny, scary or outlandish enough, so to make it more compelling they sought to focus more on Mario and Luigi's relationship, to develop Daisy into a more proactive character and to expand Koopa's plot so that it would also endanger Earth. However, the pitch still contains various fantastical elements, including Mario and Luigi being icons of a "prophecy," a magical talking book that aids them on their quest and a mushroom-infested world complete with a castle. The sci-fi concept of a parallel world inhabited by humanoid dinosaurs is essentially only retrofitted onto the fantasy story already written.
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For unknown reasons, the entire ending of the movie has been cut for the Italian release. In this version, the film ends with the Goombas dancing in queue outside the de-evolution machine, waiting to return normal. Even the end credits were altered, with the inclusion of scenes from the whole movie and with the Roxette's song, "Almost Unreal", replaced with "Speed of Light" by Joe Satriani, which it's also part of the soundtrack of the film.
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David L. Snyder was hired as the production designer after the early storyboards of Dionhattan begin to look like the cities in Blade Runner (1982), whom Snyder was the art director of.
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Jerry Goldsmith was attached to score the film but pulled out due to scheduling conflicts.
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The "rainbow" shooting script, so named because of the countless number of coloured revision pages, provides the most clear look at what may have actually been filmed. These revisions were begun by Ed Solomon himself, only to be continued by original writers Parker Bennett and Terry Runte after the pair appeared on set and were subsequently rehired. Working closely with the directors and cast, Parker and Terry went on to rejuvenate the script and return it to the level of fun and sophistication it once had. Extraneous scenes were removed, streamlining and focusing the story, while others were rewritten to accommodate character development and special effects.
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It took a team of nine puppeteers to control Yoshi. Some of Steven Spielberg's FX people came to the set to check him out.
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In 2013, Steven Applebaum and Ryan Hoss teamed with one of the original film's writers to create a Webcomic sequel to the film, published to the internet the same year. The comic sees Mario and Luigi returning to Dinohattan with Daisy to tend to her revived father, only to find out that Wart is planning to overthrow the city.
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When Luigi first attempts to woo Daisy, Mario responds by holding an upside-down Evian water bottle to his head - which, inverted, reads "Naive".
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Cheech Marin was offered the lead role of Mario but turned the part down.
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The trivia items below may give away important plot points.

When The King turns back into a human, it was Lance Henriksen's idea for him to cough up fungus. Henriksen used Rice Krispies in his hand to achieve the effect.
According to writer Parker Bennett, the ending cliffhanger was literally lifted from Back to the Future (1985).
The final scene set the stage for a possible sequel. The sequel could had possibly seen Mario and Luigi return with Princess Daisy to the alternate universe to do battle with Donkey Kong.
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See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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