A group of Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become deeply connected to two Russian women who have been living there.
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
Thomas Kretschmann is featured in both Stalingrad (1993) and Stalingrad (2013). See more »
Towards the end of film a Ju52 drops a single supply parachute. When dropped out of the plane and falling towards ground, it is green, when they recover it on the ground it is white.
(In reality the Luftwaffe was first using white parachutes until they realized it is too difficult to spot white parachutes on the snowy ground.) See more »
There can be no real victors in war if we value human life at all. That so many German and Russian boys should die in the snow-bound wilderness around Stalingrad is a tragedy beyond comprehension. The camera crew did a great job in bringing to the screen the vastness of Russia with soldiers camouflaged in white struggling on the point of death across frozen landscapes. Far from home and missing their loved ones the German soldiers are depicted as rough diamonds with kind hearts sharing their last crust of bread with starving Russian children. The over-all German plan is to take certain cities important in the flow of oil and supply of food to the Russian enemy, but their plans are thwarted when the Russian armies encircle them. The close fighting is well filmed with lots of explosions, flames and shattered bodies among fallen masonry. I liked particularly the contrast of the opening scenes in sunny Porto Cervo (where the Germans are celebrating their recent victories) with the tragic scenes which followed when calamity overtakes them.I thought too that the three struggling figures exhausted in defeat symbolised the horrific loss of human life and the futility of war. While none of the actors shone above the others, their characterisations were adequate enough though I got somewhat confused with such a large cast and all the same uniforms. The lasting impression is not with individual performances but with the over-all mood of this tragic event captured superbly under expert direction. One soldier says to another:"This will give us the Iron Cross" The reply:"Yes...it will look good on your coffin!"
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