A group of teen-age runaways try to survive in the streets of Los Angeles. Drugs, prostitution, violence and bureaucratic indifference all pose threats to the kids, who nevertheless prefer ... See full summary »
Laura San Giacomo
After a group of college students that share the same Creative Arts class are held hostage at gunpoint by a tormented peer, an examination of their lives reveals the deeper connection that ... See full summary »
Mike C. Manning,
New Yorkers Louisa "Ouisa" Kittredge (Stockard Channing) and John Flanders "Flan" Kittredge (Donald Sutherland) are upper-class private art dealers, pretentious, but compassionate. Their prized possession is a double-sided Kandinsky: one side represents control; the other, chaos. They relay a story to their friends and acquaintances that becomes legendary over time: their encounter with a young black stranger who came stumbling upon their front door one evening as they were courting Geoffrey Miller (Sir Ian McKellen), an important investor who could make them wealthy beyond their dreams. The young man, Paul Poitier (Will Smith), had just arrived in the city when he was mugged outside their building, he sported a minor knife wound to the abdomen. He was a friend of the Kittredges' children, who are attending Harvard; more importantly, he's the son of actor and Director Sidney Poitier. Tomorrow, Paul is meeting up with his father, who is in town directing a movie of "Cats". Beyond the ...Written by
Will Smith refused to kiss Anthony Michael Hall just before their kissing scene, so a camera trick was used showing only the backs of their heads. In an interview, Smith stated that Denzel Washington advised him not to kiss a man on-screen, for it would harm his career. Smith stated that he regretted not going through with it, saying, "it was very immature on my part." See more »
When Flan is pretending to pray next to Ouisa, the boom mic and operator are reflected in the large window behind them. See more »
Is anything gone?
How can I look, I'm shaking!
I want to know if anything's gone!
We could have been killed! Oh, my God! The Kandinsky!
It's gone, oh my God! Call the police!
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...] See more »
This is the film that made even the most harshest critics admit that Will Smith had real potential as far as being a serious actor is concerned. This is the story of a young gay hustler named Paul (Smith) who knocks on the door of Ouisa and Flan Kittredge (Stockard Channing and Donald Sutherland) and tells them a story of being mugged and also being the son of Sidney Poitier. He says he knows their children from college and remembered they lived there so thats why he came. After a lot of talking and impressing them he cooks them a nice dinner and they invite him to spend the night. They also loan him money but in the morning they find him with another man and they kick everyone out. The Kittredge's talk to their friends and find out that they all encountered Paul as well but were afraid to say something because they were embarrassed. The films title refers to the fact that we all know everyone by six people or degrees. The main focus of the film deals with how this young man made these characters take a good hard look at themselves and the relationship they have with each other and their children. The writing is very sharp and for most of us what is being said onscreen can easily go over our heads. Its a very intelligent script that forces the characters to see things that they seem to take for granted. Directed by Fred Schepisi who has shown a real knack for filming plays before and he also has shown to be very good at making films that are more character oriented. I remember one of his first films from the 70's called "The Devils Playground" and was impressed at that time by his direction. What really stood out for me though were the performances. Will Smith seems to tackle this complex script with an all to easy manner. As I watched his performance it was clear that he really understood the script and his character. You don't see that everyday from such a young actor, especially one that has limited training. But for me the best performance comes from Stockard Channing who was in the play as well. She's always been a very strong actress and a very underrated one at that. While watching her character in this film Channing does a wonderful job of allowing the viewer to watch her characters attitude change from the first scene to the very last. It really is Channings film and she received a well deserved Oscar nomination for it. Its one of the best in her career and its the driving force for the film. Casual film watchers may be put off by the sharp dialogue at first but I hope they stay with it, its a very good film about self realization and all the actors here are terrific.
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