6.4/10
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Session Man (1991)

Classic hard rock band Raging Kings is making a new record. Talented session guitarist McQueen is called in to replace their disgruntled band member for one recording session. Could this be his one shot at success?

Director:

Seth Winston

Writer:

Seth Winston
Reviews
Won 1 Oscar. See more awards »

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Cast

Credited cast:
Michael Harris ... Chris Manning
Rest of cast listed alphabetically:
Ricardo Aguilar Ricardo Aguilar ... Parking Guard (as Richard Aguilar)
Erich Anderson ... Peter Goffigon
Teresa Crespo Teresa Crespo ... Young woman
Greg De Belles Greg De Belles ... Lee Fisher
Michael Durrette Michael Durrette ... Leonard
Bader Howar Bader Howar ... Holly Mc Queen
Robert Knepper ... Torrey Cole
Jeff Kober ... Dean Storm
Tito Larriva ... Mouse
Evan MacKenzie ... Dabid Abrams
Chris McCarty Chris McCarty ... Stuart
James Remar ... McQueen
Henry G. Sanders ... Louie
Chad Smith ... Spider Moore
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Storyline

When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring. Written by David Fowler

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Genres:

Short | Drama | Music

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Details

Country:

USA

Language:

English

Release Date:

1991 (USA) See more »

Company Credits

Production Co:

Chanticleer Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Stereo | Mono

Color:

Color
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Did You Know?

Trivia

The song Sixteen Tons that the band is trying to record could be a tribute to Merle Travis' song of the same name about the hardships of a coal miner. See more »

Soundtracks

All Day and All of the Night
Written by Ray Davies for The Kinks
Performed by Robert Knepper
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User Reviews

 
Not Just Rock and Roll
28 January 2005 | by john-1859See all my reviews

Like a perfect sandwich on a hungry Saturday afternoon, "Session Man" is a short film that knows more than to try to be a 4-course, feature-length 'dinner-sized' movie. Perfect in scope, complete in its resolve, "Session Man" is a totally satisfying film experience ("Most," another short film nominee, 2004, also comes to mind). It also happens to represent a significant turning point in James Remar's screen career.

Perhaps best-known for thug roles (he is superbly menacing opposite Nick Nolte and Eddie Murphy in 48 Hours) here Remar portrays a session guitarist named McQueen, a man of veiled, artistic passions. With skills like McQueen's, in a sea of rock and roll cutthroats, a man has to keep his head and guard his dreams.

Remar anchors the storyline like a steady hinge on a wild-swinging, double-jointed restaurant kitchen door. Summoned into a studio milieu as a hired-gun, McQueen is screwed in tight and fixed on his convictions, an versatile artist with mercenary credentials who still hasn't buried his last, best hopes to take part in a thriving, permanent collaboration. Under the stress of a recording deadline, the session player must be instantaneously brilliant. Most people spend their lives avoiding that kind of pressure, McQueen seems born for it.

The contrast is where the film shines. How does a man fully cloak his fire, assured that he can turn on the furnace at the exact moment he needs to bring the heat? And then, once the heat is exposed (making him vulnerable to colder souls) how does he keep his wits in a world of shifting allegiances? Remar is front and center, even in McQueen's background moments, from the first beat to the last, and for a short-format film, the story offers a surprisingly wide character arc for him to traverse.

For Remar, there is the aching irony of hitting such a penetrating bullseye in a such a rarely-seen Oscar-winner while playing a character of prodigious ability who yearns for the shot at a genuine, long-distance flight in the cramped skies of rock and roll.

One of my all-time favorite live-action shorts, this film dwarfed the competition in its Academy category in 1991. I saw all the short film nominees in one sitting at an AMPAS screening that year; "Session Man" was the only one that stirred in my imagination every day for weeks afterward. To this day, I've only seen the film one time, but I couldn't help but feel that "Session Man" and James Remar were two incredible quantities that crossed paths at precisely the perfect moment - I can't imagine one without the other.

Why is this film not more readily available to the public? The time is right for the release of award-winning, short-format film compilations on DVD.


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