The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
Oskar Schindler is a vain and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us.Written by
Harald Mayr <firstname.lastname@example.org>
This is the first war film to win the Academy Award for Best Picture Oscar since Platoon (1986), the first predominantly black-and-white war film to be nominated for the Academy Award for Best Picture Oscar since The Longest Day (1962) and the first predominantly black-and-white World War II war film to win the Academy Award for Best Picture Oscar since From Here to Eternity (1953). It is also the fifth black-and-white World War II war film to win the Academy Award for Best Picture Oscar, the first World War II film to win the Academy Award for Best Picture Oscar since Patton (1970), the first World War II film to be nominated for the Academy Award for Best Picture Oscar since John Boorman's Hope and Glory (1987), the first predominantly black-and-white film to win the Academy Award for Best Picture Oscar since The Apartment (1960), the first war film to be nominated for the Academy Award for Best Picture Oscar since Born on the Fourth of July (1989), the first predominantly black-and-white film to be nominated for the Academy Award for Best Picture Oscar since both The Elephant Man (1980) and Raging Bull (1980). It is the first Steven Spielberg war film to be nominated for the Academy Award for Best Picture since Indiana Jones and the Last Crusade (1989), the first was Raiders of the Lost Ark (1981). See more »
When the evicted family is shown moving into its new ghetto apartment, a woman who is already there is rocking a baby in her arms. There is crying, but the baby itself is calm. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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The end credits are shot in black and white.
The Amblin Entertainment logo is absent and in its place instead is the credit: "From Amblin Entertainment".
The MPAA Rated R logo at the end does not have the regular blue background and is shown over the black screen. See more »
At the end of the sequence in which the family is kicked out of their apartment and forced into the ghetto, while Oskar Schindler moves in to their former home, a stream of fellow Jews pour through the family's new apartment. In the theatrical version, they each greeted the displaced family by saying "Shalom." However, before the film came to video, it was realized that Polish Jews would not have said this Hebrew word, so the line from each Jew was re-dubbed to the Polish "Dzien Dobry." See more »
Schindler's List is one of those movies that elicits such a strong reaction not only the first time one sees it, but every subsequent time that people often respond without fully being able to think through what they are saying. Personally, it is one of my favorites, as I have emerged from each viewing of it exhausted, torn, and enlightened from an experience explores many sides of humanity during one of the most terrifying times in recent history. Some, however, have responded very negatively to what they term historical inaccuracies, lack of focus on the real issues, or for others, overblown sentimentality. Not being Spielberg, I have no idea what his intentions were, but I would argue that no single movie can ever truly capture the experience of an entire continent during a six year period or war, much less a 13 year period of Nazi rule in Germany. Regardless of how incredible Schindler's List is, it should only be the first of many Holocaust movies to be made. Thus, I agree with people who argue that there was more to the Holocaust than this film, but to not recognize the greatness of this film for that reason is simply ridiculous. This movie explores human nature, therein lies its true greatness. It asks each and every one of us to search the depths of our character, and ask ourselves what we would do in a situation where our moral, spiritual, and physical beings were threatened from every direction. Do we really expect film to be reality? I don't. I go to movies to make me think, to make me look inward and learn something about myself, to tell explore a part of reality that I had not ever seen before. Schindler's List does exactly this better than almost any other film through nearly flawless acting, beautiful cinematography, and a fantastic story, historically accurate or not. I don't want to relive the Holocaust, I consider myself quite fortunate that I have never had, and hopefully never will have, to make the decisions facing either Stern, Goethe, or Schindler. Instead, the Holocaust should be taught and learned about to discover more about humanity, hopefully to reach an understanding of ourselves that we can use in the future. That's what this film does; it's a work of art.
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