When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us.Written by
Harald Mayr <firstname.lastname@example.org>
As a Producer, Steven Spielberg shopped directing duties on this film to numerous colleagues, because he was afraid he couldn't do the story justice. He was turned down by Martin Scorsese (who was interested, but ultimately felt it was a subject that should be done by a Jewish director. He agreed to hand the project to Steven Spielberg, who was working on Cape Fear (1991), which Scorsese took over), Roman Polanski (who didn't feel he was yet ready to tackle the Holocaust after surviving it in childhood), and Billy Wilder (who wanted to make this as his last film). Apparently, it was Wilder who convinced Spielberg to direct it himself. See more »
Incorrectly regarded as a goof: When the train containing the women leaves Krakow-Plaszow and is mistakenly rerouted to Auschwitz (roughly 25 miles west of Krakow), the train is shown passing a mountain range. in reality, there are no mountains between Krakow and Auschwitz-Birkenau. In real life transports to Auschwitz and the other death camps didn't always go direct and were often times rerouted via less direct routes , so this transport may have passed mountains (the Tatra mountains are around 160km from Krakow). This could also add considerable travel time to the transports; journeys that should have taken hours could take days. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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There are no opening credits after the title is shown. See more »
The film, as shown in most countries, had the song "Yerushalayim shel Zahav" - Jerusalem of Gold - at the end. When the film was shown in Israel, audiences laughed at this, as this song was written after the 1967 war as a pop song! They then re-dubbed a song "Eli Eli" which was written by Hannah Sennesh during WWII over the end which was more appropriate. See more »
I've watched this film about half a dozen times over the last five years and I still don't really understand what Spielberg was trying to do. Was he trying to outline the horrors of the holocaust or was he trying to examine Schindler himself - why the man did what he did? Maybe both. In neither case does he succeed. One can't help but feel the atrocities were greatly toned down for this film thus not really reflecting the true horror of what really happened, and he fails completely in exploring the character of Schindler. Why did Schindler do what he did? The man was a philanderer and a shrewd business man who didn't exactly go out of his way to be nice. Did witnessing what he did make him wake up to himself or perhaps there was an ulterior motive? Spielberg looks at none of this and serves up a modern day saint. It is kind of ironic that Spielberg shot this movie in black and white because that is the approach he has taken to his subject material. He gives us the saintly Schindler, the stereotypical evil Nazi, the honourable Jew and none of the complexities that made these people what they are. This was Spielberg's attempt to become accepted as a serious film-maker but yet he takes exactly the same approach to making this as he did with his marvellous popcorn movies resulting in a rather dictatorial film that has more answers than questions!
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