When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us.Written by
Harald Mayr <email@example.com>
Towards the end of the film, when the Russian soldier liberates the Schindler Jews who are sleeping outside of the factory, as he rides towards them on a horse there are lot of gaps on the ground between the sleeping Jews. Then the camera angle changes to a position behind the soldier, and there are far more people lying on the ground with no gaps whatsoever between them. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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Polish fonts were used in the credits sequence See more »
In an unprecedented move, when this film was broadcast on US television by NBC in 1997, it was, at Steven Spielberg's insistence, shown nearly uncensored (a sex scene was slightly edited) with all violence and nudity intact. It was the first program to air with the then new "TV-M" (now "TV-MA") rating. See also: Saving Private Ryan. See more »
This is just another film like Amistad that Steven Spielberg thought might be important to put to film. But, after seeing a film like United 93, I feel that, going back to this film, I see it as exploitation. That it is exploiting the pain of the entire holocaust and the tragedy that it really was, and exploiting that for emotional reasons but worse, to give Oskar Shindler an opposite, and something to purify him from a narrative character perspective. It's not that I hate the film, it's well made in every aspect, but it is basically a Frank Capra picture set within a really huge tragedy. One character is not the hero or villain here, there is no black and white. Since it chooses to display the Holocaust so graphically, do it in a better way. But watching the film and contrasting it to what actually did happen, I have to wonder, is there a really truthful way of representing the Holocaust? It's such a monstrous tragedy, the big abomination of the 20th century, should it really be put onto film, and are the words now used to describe it, "Never Again", really a truthful representation? Is this how we want people to remember the Holocaust? Through a film that presents a hero struggling to be a capitalist and struggling to be a good man by Western standards by saving as many people as possible. If he had saved "one more" person, it wouldn't have mattered. The film is permanent, and the Holocaust itself is as well. I firmly believe this is not the appropriate way to depict something that actually happened and was so important. It's the singular voice of the director here, this film might as well by "It's A Wonderful Life", because that is essentially what it is. The same story, the same character arc for Shindler. It's just not appropriate and I think that the time has not come yet for us to truly be able to grasp the atrocity of the Holocaust. I believe the means of representation are not available for us or at our disposal.
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