When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us.Written by
Harald Mayr <firstname.lastname@example.org>
When the doctor goes into his secret stash of fine liquors, there seems to be a ray of light inside. How is that possible since it must be inside a wall? See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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The end credits are shot in black and white.
The Amblin Entertainment logo is absent and in its place instead is the credit: "From Amblin Entertainment".
The MPAA Rated R logo at the end does not have the regular blue background and is shown over the black screen. See more »
At the end of the sequence in which the family is kicked out of their apartment and forced into the ghetto, while Oskar Schindler moves in to their former home, a stream of fellow Jews pour through the family's new apartment. In the theatrical version, they each greeted the displaced family by saying "Shalom." However, before the film came to video, it was realized that Polish Jews would not have said this Hebrew word, so the line from each Jew was re-dubbed to the Polish "Dzien Dobry." See more »
Many people have told me how devastated they were when they saw this movie. But I was just bored. We talked about it and, in the discussions that followed, I was accused of not caring about the victims of the Holocaust. One person even said I was denying the Holocaust happened!
And that soured me on the movie even more. The fact is, Holocaust movies have insurance against criticism: if you say the movie is a waste of time, someone might attribute your opinion to the Holocaust itself. I don't understand it, but that weird emotional blackmail made me really uncomfortable with Schindler's List.
I thought Liam Neeson was horrible. His acting is very stiff and unconvincing. The use of hand-held cameras and black-and-white cinematography *should* work, but ultimately they amounted to subtle special effects.
I thought the movie was emotionally flat, as well. I watched each character go through the motions, wondering when something unexpected would happen. The horror of the Holocaust is shown in an almost clinical way.
I don't know. I just felt that this movie would feel less like a bid for an Oscar and more like a personal film.
At the risk of being a complete jerk, I'll give Spielberg this advice: Do it again. Make another Holocaust movie. Why not? He finished Kubrick's "AI." Kubrick had another movie in the planning stages, a Holocaust film called "Aryan Papers" (aka "Wartime Lies"). I hope he'll finish *that* Kubrick movie, too, and create a better Holocaust film, something I can sink into and be surprised by, something that feels much more personal.
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