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Romeo Is Bleeding (1993)

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A womanizing, crooked cop on the payroll of the mafia is confronted with the reality of his double life after he is asked to kill a beautiful and ruthless Russian gangster.

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Cast

Cast overview, first billed only:
... Jack Grimaldi
Wallace Wood ... Waiter
... Sheri
... Scully
... Martie
... John
... Joey
... Sal
... Mona Demarkov
William Duff-Griffin ... Paddy
... Cage
Paul Butler ... Skouras
... Natalie Grimaldi
... Malacci
Victoria Bastel ... Girl #1
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Storyline

Detective Jack Grimaldi (Gary Oldman) takes us through his shattered life after encountering the most deadly (and deceptive) criminal he has ever had to deal with. It doesn't help that Grimladi is playing both sides against the middle. When he encounters Demarkov (Lena Olin) he thinks he can play her as he has all the other women in his life...including his wife. But Demarkov knows Jack better than he knows himself. She plays him mercilessly, all the while threatening to kill him when she tires of the game. Written by Jonny_B_Lately

Plot Summary | Plot Synopsis

Taglines:

The story of a cop who wanted it bad and got it worse.


Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexuality | See all certifications »
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Details

Official Sites:

MGM

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|

Language:

Release Date:

4 February 1994 (USA)  »

Also Known As:

Doble juego  »

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Box Office

Budget:

$11,500,000 (estimated)

Gross USA:

$3,275,585
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ellen Barkin bowed out of this project because she was pregnant. See more »

Goofs

As Jack is touching Mona for the first time, Mona is holding a cigarette in her right hand. The cigarette disappears in the next scene where Mona puts her arms around Jack. See more »

Quotes

Mona Demarkov: Mona: What's life without good friends?
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Connections

Referenced in Mike & Mike: Episode dated 18 March 2015 (2015) See more »

Soundtracks

THE BIG SWING
Written by Phil Marshall
Courtesy of Slash Back Music
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Frequently Asked Questions

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User Reviews

 
He was between a rock and a hard place.
30 March 2013 | by See all my reviews

Romeo Is Bleeding is directed by Peter Medak and written by Hilary Henkin. It stars Gary Oldman, Lena Olin, Annabella Sciorra, Juliette Lewis and Roy Scheider. Music is by Mark Isham and Gary Alper and cinematography by Dariusz Wolski.

Oldman plays corrupt cop Jack Grimaldi who does favours for The Mob in exchange for considerable payments. He has a loving wife and a mistress, but even that can't satiate his lust leanings. So when he is assigned to babysit Russian hit-woman Mona Demarkov (Olin), he is soon up to his neck in sexual yearnings. Something which spells trouble for everyone...

A box office flop and savaged by some pro critics, Romeo Is Bleeding is clearly not a film for everyone! Yet for those who like their neo-noir sprinkled with satire and Grindhouse flavours, it's definitely the film for you. It's possible that some folk just didn't get it, that it has its tongue firmly in its bloody cheek? While some of the charges of misogyny and it being a macho fantasy are kind of moot given it's written by a woman! Undeniably it is guilty of going too far over the top, where as it cheekily laughs at itself it forgets to rein itself in, a problem since the finale is surprisingly touching but difficult to accept given the carnage previously.

The trajectory of story is classic noir. Hapless corrupt copper Jack Grimaldi loves his wife but finds it easy to cheat with other women. Once the incredibly sexy Mona Demarkov slinks into his view, he's in big trouble. Add in The Mob after him due to not carrying out a "hit" and you get a noir protagonist spinning towards misery. Grimaldi narrates in snatches to keep the mood simmering on desperation, while visual smarts like a triplicate mirror image - or a scene at a amusement park - further enhance the noir atmosphere. While Olin's Demarko has to rank as one of the most potent femme fatales to steam up the screen.

Superbly performed by the principal actors and backed up with solid support, film doesn't lack for quality in that department. And with Wolski's photography and Isham's music also leaving indelible marks on the sleaze and greed mood, tech credits are impressive. If only Medak had not tried to take too bigger a slice of cake then this would be talked about as a neo-noir classic. As it is, as appendages are lost and the pulses raised, this still plays out as a disgustingly sexy, weirdly off-kilter and bloody fun piece of film. 7.5/10


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