Rule bound head butler Stevens' (Sir Anthony Hopkins') world of manners and decorum in the household he maintains is tested by the arrival of housekeeper Miss Kenton (Dame Emma Thompson), who falls in love with him in pre-World War II Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.Written by
Keith Loh <email@example.com>
Director James Ivory described this movie's principal character, James Stevens (Sir Anthony Hopkins), "as a bit like a priest who puts his life almost on an altar. He serves his lord unconditionally, and in this case, his lord is literally a Lord (Darlington (James Fox)). Perhaps it's a mentality that we don't know so well in the United States, except in the military, or indeed, in the priesthood. Within Stevens' life there is a very, very small area that is his, and the rest of the time he belongs to, or is committed to, a larger idea, or ideal: that of unquestioning service to an English aristocrat: his master, right or wrong." See more »
The road markings at the junction outside the George Inn in Norton St Philip are modern; dashed double white lines were not around in the 1950s. See more »
I'd be lost without her - - A first rate housekeeper is essential in a house like this where great affairs are decided, between these walls.
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The crowning achievement of the Ismail Merchant/James Ivory partnership and their entire production team who give their absolute best in original music, cinematography, editing, art and set direction, costumes, and, of course, screenplay by Merchant/Ivory regular Ruth Prawler Jhabvala. Add flawless performances from the all-star cast and the result is almost too perfect. But there is just enough humility to this sad tale of unrequited love to make it completely believable.
Anthony Hopkins excels as the impenetrable Mr. Stevens, Butler of a lordly country house in the final days of the British Empire, and Emma Thompson is superb as his foil, Housekeeper Miss Kenton. Both give wonderfully deep, sensitive portrayals of two complex lonely people who don't realize, until it's too late, that they belong together. Swirling around them is fascinating drama of life upstairs and downstairs and there are as many surprises and sub-plots to the story (based on a novel by Kazuo Ishiguro) as there are secret passages, nooks, and crannies in "Darlington House."
An all-round first-rate cinematic experience, "Remains of the Day" is one of those pictures that lingers in the mind long after the credits pass. A must see. One poignant note: this was the return to the big screen of actor Christopher Reeve, as American millionaire Congressman Lewis, whose life nicely frames the storyline. Two years later Reeve became paralyzed after being thrown from a horse.
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