5.5/10
3,744
36 user 21 critic

Posse (1993)

R | | Western | 14 May 1993 (USA)
In 1898 Cuba, five Buffalo Soldiers find a gold cache, desert and return to America where they help defend a black town from the KKK, all the while trying to avoid capture by lawmen and military authorities alike.

Director:

Mario Van Peebles
Reviews
1 nomination. See more awards »

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Western

The rolling hills and the lawless towns of the American wild west in the late 1800s.

Director: Mario Van Peebles
Stars: Mario Van Peebles
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Cast

Cast overview, first billed only:
Mario Van Peebles ... Jesse Lee
Stephen Baldwin ... Jimmy J. 'Little J' Teeters
Charles Lane ... Weezie
Tommy 'Tiny' Lister ... Obobo (as Tiny Lister)
Big Daddy Kane ... Father Time
Billy Zane ... Colonel Graham
Blair Underwood ... Carver
Melvin Van Peebles ... Papa Joe
Salli Richardson-Whitfield ... Lana (as Salli Richardson)
Tone Loc ... Angel
Pam Grier ... Phoebe
Vesta Williams Vesta Williams ... Vera (as Vesta)
Isaac Hayes ... Cable
Richard Jordan ... Sheriff Bates
Paul Bartel ... Mayor Bigwood
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Storyline

A group of mostly black infantrymen return from the Spanish-American War with a cache of gold. They travel to the West where their leader searches for the men who lynched his father. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

From the director of "New Jack City" See more »

Genres:

Western

Motion Picture Rating (MPAA)

Rated R for strong violence and sexuality, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA | Netherlands

Language:

English

Release Date:

14 May 1993 (USA) See more »

Also Known As:

Posse: A Vingança de Jessie Lee See more »

Filming Locations:

Florence, Arizona, USA See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$5,311,902, 16 May 1993

Gross USA:

$18,289,763

Cumulative Worldwide Gross:

$18,289,763
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby | Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

A production assistant was specifically assigned to follow Tone Loc around between set-ups as he constantly wandered off-set, usually to the craft service table. See more »

Goofs

When Jesse Lee is fighting Colonel Graham in the burning building, the Colonel's eye-patch moves about between shots. See more »

Quotes

Colonel Graham: Jessie, they say you can tell a lot about a man by his profile. A certain strength of character, or lack thereof.
See more »

Crazy Credits

This film is dedicated to the memory of Rev. King David Lee (1883-1979) and Abe Richardson (1861-1961) See more »

Alternate Versions

For "Posse's" Australian theatrical run, the love scene was considerably cut to receive an M rating. The uncut version was released on VHS and DVD with the original MA rating. See more »

Connections

Referenced in Intimate Portrait: Pam Grier (1999) See more »

Soundtracks

Cruel Jim Crow (Posse Don't Play That)
Written and performed by Melvin Van Peebles
See more »

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User Reviews

surreal unconventional Afro-American western
21 September 1999 | by camel-9See all my reviews

Visually stunning, extremely rich in detail, fast action sequences, innovative camera movements, and an historic interpretation of afro-americans settling in the west in the late 800's, this movie is highly unconventional. The more recent "Wild Wild West" has some similarities, "The Ballad of Cable Houge" comes to mind. Using comedy, fantasy, surrealism, the plot has a group of afro-americans traveling with a case of gold, chased by a posse. They join a settlement of afro-americans in the West, which while free by law, are reminded by the neighboring white towns that their liberty of action does not border out of their free town, and their law does not apply to white people. In a poignant scene, the only white man, who was in the original group of afro-americans with the case of gold, is brutally killed in public view by the white neighbors, almost to demonstrate that a white folk that joins the black folks has reached his lowest social status, lower that simply a black man, which by law cannot be killed without reason.


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