6.0/10
22,310
126 user 35 critic

Point of No Return (1993)

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Drug addict Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top secret U.S. government Agent "Bob" arranges a staged death, so Maggie ... See full summary »

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Writers:

(film La Femme Nikita), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
... Maggie
... Bob
... J.P.
... Kaufman
... Amanda
... Angela
... Fahd Bahktiar
... Victor the Cleaner
... Beth
... Drugstore Owner
... Cop
... Big Stan
Ray Oriel ... Burt
Spike McClure ... Johnny D
... Johnny's Mom
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Storyline

Drug addict Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top secret U.S. government Agent "Bob" arranges a staged death, so Maggie can be elaborately trained as a killer. She gets a new cover identity as saleswoman Claudia Anne Doran. She also finds a housemate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates her government assignments. His influence extends to breeding in her a conscience that supplants her violent tendencies, and desire to continue work for the agency. Written by KGF Visser

Plot Summary | Plot Synopsis

Taglines:

The Government gave her a choice. Death. Or life as an assassin. Now, there's no turning back.


Motion Picture Rating (MPAA)

Rated R for strong violence, and for language and sexuality | See all certifications »

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Details

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Release Date:

19 March 1993 (USA)  »

Also Known As:

Girl No. 5  »

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Box Office

Gross USA:

$30,038,362
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV) | (TV)

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In Europe and Asia, the film was retitled "The Assassin", after it "underperformed" in the U.S. with its original title. Warner Brothers felt the new title would help sell the action element. See more »

Goofs

In the Mardi Gras assasination scene, Maggie's Anschutz .22LR, match, single-shot bolt-action rifle is fired semi-automatically. See more »

Quotes

Maggie: I never did mind about the little things.
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Connections

Referenced in Beastie Boys: Video Anthology (2000) See more »

Soundtracks

ZYDECO BOOGALOO
Written by Buckwheat Zydeco (as Stanley Dural Jr.)
Performed by Buckwheat Zydeco
Courtesy of Pounder Records Corp.
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Frequently Asked Questions

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User Reviews

 
If you can get past the brutality you might enjoy it.
28 August 2003 | by See all my reviews

This IS a really brutal movie-I usually don't like violence in movies but in this case the violence was sort of neccessary for the overall subject at hand. Once I got past that, I really enjoyed this in a way that surprised me because it wouldn't be the type of pic I'd usally watch.

I think Gabriel Byrne is what made this movie. He was great as Bob and the chemistry between him and maggie/Nina was overwhelming. I think this was a movie made good by the cast. I thought Fonda and Byrne were incredible.

I wouldn't call this "dreary" as much as sometimes brutal with alot of violence. Still it's a good movie, I think besides the incredible chemistry between Byrne and Fonda the story was moving and makes you want to know what happens nest.

Harvey Keitel was positively creepy as the Cleaner! There are some really-well- for lack of a better term icky scenes in the movie but the acting is first rate and holds your attention.

There are some negatives to: to much violence that seemed kind of for shock value, after awhile it becomes a bit much:ok we get the idea. The AMMOUNT of shootings, explosions etc detracts from the wonderful acting and powerful story at hand, they could have minimized the brutality A LITTLE.

Also, Gabriel Byrne and Bridget Fonda should have had more scenes together, their chemistry is what made the movie. I understand, looking at imdb comments that this is a remake and I didn't know that before, but although this movie is very engrossing it doesn't get up to 10 status. Stil, it's defintely worth seeing if you have a strong stomach and haven't seen it.


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