Drug addict Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top secret U.S. government Agent "Bob" arranges a staged death, so Maggie can be elaborately trained as a killer. She gets a new cover identity as saleswoman Claudia Anne Doran. She also finds a housemate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates her government assignments. His influence extends to breeding in her a conscience that supplants her violent tendencies, and desire to continue work for the agency.Written by
Titled "Nikita" during filming, Producer Art Linson and Warner Brothers settled on a new title during post-production that Warner Brothers owned, "The Specialist". However, two months before the film was to be released, Linson was contacted by Warner Brothers executive Bruce Berman, and told that the title would be changed to "Point of No Return". Warner Brothers gave the working title to an upcoming Steven Seagal vehicle, which was yet-to-be-filmed. Ultimately, that movie, The Specialist (1994), ended up starring Sylvester Stallone after Seagal dropped out. See more »
In the bathroom she drops the gun in the water full of bubbles, but she never put bubbles in. See more »
Why do you talk so dirty, Maggie?
Why do you talk so faggy, Bob?
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Although rated "not under 18" Warner Bros cut a few seconds from the German rental video release to lower violence. One missing scene takes place during the kitchen-shootout in the restaurant. We don't see a cook being hit by 2 bullets. See more »
Yes, it's a bad remake of La Femme Nikita--yes, it's overly violent and amoral (but so was the original)--yes, it's REALLY stupid, but I enjoyed it. It moves quickly, Fonda manages to give out a pretty good performance and it's certainly never boring. If you can turn off your brain, and sit through bursts of graphic violence (and a really sick sequence involving Harvey Keitel as "The Cleaner") you should be able to enjoy it. No great movie, just a really good bad movie. Critics predictably hated this movie. There's a now infamous review from the "New Yorker" magazine that's only 9 words long--"The end of French cinema as we know it." Ignore them--this is lots of fun.
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