A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
Fearing it would compromise his career, lawyer Andrew Beckett hides his homosexuality and HIV status at a powerful Philadelphia law firm. But his secret is exposed when a colleague spots the illness's telltale lesions. Fired shortly afterwards, Beckett resolves to sue for discrimination, teaming up with Joe Miller (Denzel Washington), the only lawyer willing to help. In court, they face one of his ex-employers top litigators, Belinda Conine.Written by
Several scenes depicting a more intimate relationship between Andrew and Miguel were chopped out by the studio. They also attempted to block the casting of the HIV-positive Ron Vawter, until Jonathan Demme pointed out how hypocritical this would be in the face of the film's message. See more »
When Andy steps out of Joe's office (after Joe's rejection to become Andy's lawyer), you see him standing and reflecting on his situation. He turns his head to the left, and you can see the lining of a rubber mask on his neck(used to make Hanks' head look shaved). See more »
[sitting on opposite sides of the table in the library, reading to each other from their text books]
The Federal Vocational Rehabilitation Act of 1973 prohibits discrimination against otherwise qualified handicapped persons who are able to perform the duties required by their employment. Although the ruling did not address the specific issue of HIV and AIDS discrimination...
Subsequent decisions have held that AIDS is protected as a handicap under law, not only because of the physical ...
[...] See more »
"This motion picture was inspired in part by Geoffrey Bowers' AIDS discrimination lawsuit, the courage and love of the Angius family and the struggles of the many others who, along with their loved ones, have experienced discrimination because of AIDS." See more »
The cable and network television versions of Philadelphia edit out portions of the pharmacy scene where a gay University of Pennsylvania law student attempts to pick up Joe Miller. These two versions end this scene with the law student responding "Do I?" to Joe Miller's question concerning whether Miller looked gay. In the theatrical, home video and premium channel versions, Joe Miller continues to berate the law student with bigot remarks regarding homosexuals. See more »
To me this movie is both a relevant and compelling story, as well as a model of overcompensation. I feel as though Philadelphia was trying desperately to show a touching, human side to the AIDS epidemic, but at the same time overly conscious of the lack of compassion much of middle America has for homosexual victims of AIDS. As a result, our protagonist Andrew Beckett is made to be a virtual superman. I would have had more respect for the film if they'd made him more like you and me. If he had been a bright, successful lawyer with friends, a loving family, and a serious relationship that would have made him someone we could really relate to. Instead, Andrew was a legal phenom, THE rising star, future senior partner, the future leader of the law firm. And in his personal life, he was the most popular person at his firm, beloved by all. More than that, he was the most popular member of his whole family, he was brilliant, affable, going straight to the top, simply AMAZING!!! Doesn't it seem like they tried too hard to get us on his side? To show the human story of AIDS, show us an actual person, not superman. That is problem with Philadelphia.
Having said that, Tom Hanks was fantastic, as usual. Denzel was also rock solid, his character basically representing all of us, the general public, the ones who don't empathize with gays because they either don't know any, or aren't conscious they know any, and fail to appreciate that they are real people and not merely stereotypes. His enlightenment with regards to this is one aspect of the movie I felt they came through on exceptionally.
Philadelphia was an important story to be told, for just like so many other human tragedies, for us the unaffected to be able to see just one example up close and personal, it carries so much more weight than all the news reports and statistics in the world. I hope it had some positive impact in creating compassion among the general public. I just wish the film makers hadn't felt it would be necessary to go to superhuman lengths to give us a character we could feel for.
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