A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
Fearing it would compromise his career, lawyer Andrew Beckett hides his homosexuality and HIV status at a powerful Philadelphia law firm. But his secret is exposed when a colleague spots the illness's telltale lesions. Fired shortly afterwards, Beckett resolves to sue for discrimination, teaming up with Joe Miller (Denzel Washington), the only lawyer willing to help. In court, they face one of his ex-employers top litigators, Belinda Conine.Written by
The moment when Mary Steenburgen's character says that she hates the case was improvised in the moment, when the actress expressed her hate towards her role after shooting the mirror scene and Jonathan Demme encouraged her to incorporate it into the role, so the woman would seem more human. See more »
When Andy steps out of Joe's office (after Joe's rejection to become Andy's lawyer), you see him standing and reflecting on his situation. He turns his head to the left, and you can see the lining of a rubber mask on his neck(used to make Hanks' head look shaved). See more »
"This motion picture was inspired in part by Geoffrey Bowers' AIDS discrimination lawsuit, the courage and love of the Angius family and the struggles of the many others who, along with their loved ones, have experienced discrimination because of AIDS." See more »
To me this movie is both a relevant and compelling story, as well as a model of overcompensation. I feel as though Philadelphia was trying desperately to show a touching, human side to the AIDS epidemic, but at the same time overly conscious of the lack of compassion much of middle America has for homosexual victims of AIDS. As a result, our protagonist Andrew Beckett is made to be a virtual superman. I would have had more respect for the film if they'd made him more like you and me. If he had been a bright, successful lawyer with friends, a loving family, and a serious relationship that would have made him someone we could really relate to. Instead, Andrew was a legal phenom, THE rising star, future senior partner, the future leader of the law firm. And in his personal life, he was the most popular person at his firm, beloved by all. More than that, he was the most popular member of his whole family, he was brilliant, affable, going straight to the top, simply AMAZING!!! Doesn't it seem like they tried too hard to get us on his side? To show the human story of AIDS, show us an actual person, not superman. That is problem with Philadelphia.
Having said that, Tom Hanks was fantastic, as usual. Denzel was also rock solid, his character basically representing all of us, the general public, the ones who don't empathize with gays because they either don't know any, or aren't conscious they know any, and fail to appreciate that they are real people and not merely stereotypes. His enlightenment with regards to this is one aspect of the movie I felt they came through on exceptionally.
Philadelphia was an important story to be told, for just like so many other human tragedies, for us the unaffected to be able to see just one example up close and personal, it carries so much more weight than all the news reports and statistics in the world. I hope it had some positive impact in creating compassion among the general public. I just wish the film makers hadn't felt it would be necessary to go to superhuman lengths to give us a character we could feel for.
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