A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
Many gay rights activists and historians have credited this film with being the first major motion picture to tackle the AIDS epidemic, bringing awareness to the issue, and working toward lessening the stigma of having AIDS. Despite the praise, others have been critical that it took Hollywood over a decade to address the issue. See more »
When Jamie is looking for files on Andew's computer at work, the computer, an old IBM PS/2, is switched off (the power switch is down). See more »
[to her colleagues, after having held a mirror in front of Andy to show the court his skin lesions]
I hate this case.
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"This motion picture was inspired in part by Geoffrey Bowers' AIDS discrimination lawsuit, the courage and love of the Angius family and the struggles of the many others who, along with their loved ones, have experienced discrimination because of AIDS." See more »
Philadelphia is a guttingly emotional and tragic story of how a lawyer fired for having AIDS attempts to vindicate himself in court. Tom Hanks gives perhaps the most powerful performance of his career as Andrew Beckett, the afflicted lawyer. He received the Academy Award in a waltz, and you could almost pick any of his major scenes as worthy of the award.
This movie is probably the best drama regarding gay issues ever made. Remember, it was made in 1993, when AIDS was still a terminal disease, and it recalls the early days of an epidemic that may not square with the vision afforded today, but at the time, this was the reality of AIDS.
The entire crew is A-List. Tak Fujimoto, who would also film Silence of the Lambs and Sixth Sense, directed cinematography. Jonathan Demme, also of Silence of the Lambs fame, directs with typical honesty and grit. Bruce Springsteen and Neil Young contributed hauntingly touching original songs. Even Antonio Banderas, whom I never miss an opportunity to vilify, is moving as Hanks' devoted and supportive partner. Denzel Washington was well cast as the homophobic lawyer who ultimately takes Hanks' case, and Mary Steenburgen is surprising in an uncharacteristic villain role.
Ron Vawter, who played one of the lawyers in the firm from which Hanks was fired, and also appeared in Silence of the Lambs, was himself suffering from AIDS at the time of filming, and he eventually succumbed to it a few years later. His appearance in the film encapsulates the reality of the AIDS epidemic, in that it often touched our lives in unexpected places.
Although I have literally thousands of movies in my collection, I don't own this one. Not because I don't love it. I do. It's because I can't watch it without being overcome by emotion. Anyone who can watch Hanks' in the Opera scene, or hear Springsteen's or Young's eerie and melancholy ballads and not weep is dead inside. But in the end, Philadelphia is about life, and making it matter.
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