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Sayoko, a young woman, meets Goh and his older gay lover Tochi, and invites them to use a room in her apartment. The three become good friends until Tochi's wife threatens to expose Tochi ... See full summary »


Takehiro Nakajima
7 wins & 1 nomination. See more awards »


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Cast overview, first billed only:
Misa Shimizu ... Sayoko Morohashi
Takehiro Murata Takehiro Murata ... Goh Yoshino
Takeo Nakahara ... Tochi, Tochihiko Terazaki
Atsushi Fukazawa Atsushi Fukazawa ... Tamio
Takatoshi Takeda Takatoshi Takeda ... Tsuyuki, Bartender
Masayuki Shionoya ... Kurihara
Kyôzô Nagatsuka Kyôzô Nagatsuka ... Toichi, Goh's brother
Mitsuko Oka Mitsuko Oka ... Tokuko
Michino Yokoyama Michino Yokoyama ... Manami (as Michiyo Yokoyama)
Noriko Sengoku Noriko Sengoku ... Kinoe Yoshino, Goh's mother
Toshie Negishi ... Yayoi Terazaki, Tochi's wife
Yoshiko Kuga
Dump Matsumoto Dump Matsumoto
Toshinori Omi Toshinori Omi
Casey Takamine Casey Takamine ... (as Cacy Takamine)


Sayoko, a young woman, meets Goh and his older gay lover Tochi, and invites them to use a room in her apartment. The three become good friends until Tochi's wife threatens to expose Tochi to his office workers. Tochi leaves and Goh falls for a new man, Kurihara. Sayoko tries to entice Kurihara to meet Goh, but he is not really gay. Kurihara seduces and abuses Sayoko, leaving her with child. Written by Will Gilbert

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Drama | Romance







Release Date:

2 April 1993 (USA) See more »

Also Known As:

Fag Hag See more »


Box Office

Gross USA:

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Company Credits

Production Co:

Int-Group Film See more »
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Technical Specs


Sound Mix:




Aspect Ratio:

1.85 : 1
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User Reviews

social treatise on gays in society does not forsake drama
16 October 2007 | by CountZero313See all my reviews

Nakajima's take on Japanese attitudes to gays is intriguing to come to 15 years after its initial release. Inevitably, you find yourself asking how much has changed in that intervening decade-and-a-half. The answer is, apart from the hairstyles and fashions, not very much. Gays are still only visible in the public eye in their most effeminate form, and their role in society still seems strictly to be entertaining the straight masses with their raging queen antics. Red-blooded everyday Joe gays like Goh are still in the closet.

It is a paradoxical situation, because most Japanese when pressed express opinions that are tolerant of homosexuality, and out-and-out anti-gay sentiments are rarely, if ever, heard. So why are all the gays hiding?

Of course, the film is more about its characters than social attitudes. Fortunately, Nakajima's nuanced characters and humorous touch ensure that the narrative of lost love and damaged souls redeemed stays on course. The spotlight on social attitudes is never too glaring. Regrettably, the film descends into farce at times, as when the drag queens fight the mobsters, and every time Goh's mother makes her vaudeville-style appearance. But Okoge is enlightening, challenging, moving and still asks uncomfortable questions of Japanese society after all these years. Well worth a look.

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