On Christmas Eve, a little girl named Marie (Cohen) falls asleep after a party at her home and dreams herself (or does she?) into a fantastic world where toys become larger than life. Her ...
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The colorful holiday classic is finally brought to the big screen, designed by famed children's story author and artist Maurice Sendak, and written for the first time to be as close as ... See full summary »
It is Christmas Eve, and the Stahlbaum family is happily unwrapping their Christmas gifts. After all the merriment, seven-year-old Marie receives a very special gift--a mysterious ... See full summary »
A cowardly boy, who buries himself in accident statistics, enters a library to escape a storm, only to be transformed into an animated illustration by the Pagemaster. He has to work through obstacles from classic books to return to real-life.
"WishKid" was a Saturday morning animated series created to play off the success of pre-teen movie star Macaulay Culkin (of Home Alone). Nick McClary owned a magic baseball glove which, if ... See full summary »
Paul De La Rosa
On Christmas Eve, a little girl named Marie (Cohen) falls asleep after a party at her home and dreams herself (or does she?) into a fantastic world where toys become larger than life. Her beloved Nutcracker (Culkin) comes to life and defends her from the Mouse King, then is turned into a Prince after Marie saves his life.Written by
Alexis Ratmansky's Nutcracker for ABT also magically transforms Clara into an adult in Act 2. See more »
This is the Stahlbaums' house. These are their children, Marie and Fritz. It was Christmas Eve, when there was always a big family party. The children had been waiting and waiting for their guests to arrive. The house was full of rich, wonderful smells of baking, chocolate, and peppermint sticks.
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In the opening credits, Macaulay Culkin is listed as playing Drosselmeier's nephew, but he is not listed as playing either The Nutcracker or The Prince. See more »
I'd seen parts of this production before but I wanted to refresh my initial reactions and see if they were correct. I think they were!
I've always thought Balanchine was very old-fashioned in his attitudes, particularly in the ballerina-and-her-cavalier prototype. But this is, of course, what Russian ballet is all about.
I was mostly interested in seeing if Balanchine would keep the music up to speed and I find he has. After seeing the traditional performances where everything is slowed down to a glacial pace to accommodate the dancers, this is most refreshing and as a record of Mr. B's approach, this video production is invaluable.
Others have mentioned the music-tampering but this is not unusual in the dance world or even in Balanchine. One glaring example of this is his "Serenade" where Tchaikovsky's last two movements are reversed; the "Elegy" is the last thing heard instead of the fast finale. In all fairness, Balanchine assumed that his own works would be forgotten with time and would not become the monuments they have.
Is the 12 year old Culkin as bad as all that? In context, his star power has proved a liability here and this is at least partly due to his overall awkwardness in the nephew-prince role. Smiling or smirking professionally in that dreadful pink Lord Fauntleroy suit he can often look downright sinister. (He later used that quality in "Party Monster" for example.) And, with almost nothing to do except lend his presence to the second part, whenever they show him in passing I find the effect jarring.
Mack aside, the photography is good in general though awkward in the pan-and-scan version close-ups. The narration really shouldn't have happened but it's not too disturbing.
the DVD: It's a two-sided DVD with no real labels. (Watch your fingers!) The second side is the letterboxed one which I think is more successful than the pan-and-scan first side. The extras are informative but sparse.
6 or 7 out of 10.
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