4.0/10
137
7 user 3 critic

No Escape No Return (1993)

Two cops go undercover to infiltrate a violent drug ring, and are in for a shock when they find out who's running it.
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Cast

Cast overview, first billed only:
Maxwell Caulfield ... William Robert Sloan
Dustin Nguyen ... Tommy Cuff
Denise Loveday Denise Loveday ... Ali Weston
John Saxon ... James Mitchell
Michael Nouri ... Dante
Pamela Dixon Pamela Dixon ... Stone
Kevin Benton ... Malcom
Joey Travolta ... Stark
Louis Perez ... Johnson
Anibal O. Lleras ... Caesar (as Anibal Lleras)
Renee Bessone Renee Bessone ... Woman Hostage
Dallas Cole Dallas Cole ... Mary
Vinnie Curto Vinnie Curto ... Vice Cop #1
Jake Baker Jake Baker ... Vice Cop #2
Diana Barton Diana Barton ... Woman #2
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Storyline

Two cops go undercover to infiltrate a violent drug ring, and are in for a shock when they find out who's running it.

Plot Summary | Add Synopsis

Genres:

Action

Motion Picture Rating (MPAA)

Rated R for violence, drug use scenes, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 December 1993 (Germany) See more »

Also Known As:

Giustizia all'inferno See more »

Company Credits

Production Co:

PM Entertainment Group See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color
See full technical specs »
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Did You Know?

Goofs

The Helicopter changes between shots from a White / Light Blue one, to a White / Dark Red one. See more »

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User Reviews

 
"That's how I know you ain't a cop - you too [...] crazy"

NO ESCAPE, NO RETURN is a fairly unique entry into the subgenre of police-themed action-thrillers, and it is worth checking out despite my average rating. This well-written adventure is engaged in a fight with producers trying to shoehorn it into the form of a throwaway adrenaline piece. Concessions appear to have been made that result in some sloppily-presented scenes and heavy-handed drama, but you're still looking at an interesting and engaging alternative to the usual PM cop fare.

The story: Three police officers – played by Dustin Nguyen, Denise Loveday, and Maxwell Caulfield – are targeted for internal sabotage after interfering in the plans of a drug baron.

The movie's strengths begin with its three leads, who do collectively well with their roles. The film gives Maxwell Caulfield top billing, but this is in fact one of the few times wherein all three of a movie's leads play equally prominent characters. Too much of their background and motivations are revealed via exposition and the strongest of their dramatic scenes are mucked about with attention-pleading editing, but the performers seem to genuinely feel their roles and have a natural chemistry that make their relationships believable. Additionally, the extended storyline is equal to these characters for its unconventionality. The plot against the characters begins as an assassination attempt but morphs into a cerebral attack, leading to the stars making some genuinely surprising decisions throughout the film.

The action is a solid mix of shooting, fighting, and explosions. It's not the best stuff ever, but a little more of it would have bolstered my rating. Some of the gunfights are nice, and the PM studio lives up to its reputation by including a couple of cool car crashes, but the clear star of the action scene is Dustin Nguyen. Nguyen is choosy when it comes to his action roles, supposedly having turned down films for years to avoid being typecast as a karate man, and a feature like this makes you value the parts wherein he does demonstrate his aptitude for the martial arts. He leads four of the five fights, and while I would have given a lot to see him take on some credible opponents, it's a thrill to see him cut loose, particularly in the three-on-one brawl.

Problems with the jumpy pacing occasionally give the feature an oddly experimental vibe, and its passive justification of police brutality rings particularly foul nowadays. Nevertheless, for all its faults, the movie is entertaining in more than a mindless way. It would be great if writer-director Charles Kanganis' screenplay had instead been filmed by someone like Dwight Little, but even in its current state, I recommend this one for viewing by action fans.


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