Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home causes confusion.Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home causes confusion.Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home causes confusion.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 7 wins & 17 nominations total
Catherine O'Hara
- Sally
- (voice)
- …
Glenn Shadix
- Mayor
- (voice)
Paul Reubens
- Lock
- (voice)
Ken Page
- Oogie Boogie
- (voice)
Edward Ivory
- Santa
- (voice)
- (as Ed Ivory)
Susan McBride
- Big Witch
- (voice)
- …
Debi Durst
- Corpse Kid
- (voice)
- …
Greg Proops
- Harlequin Demon
- (voice)
- (as Gregory Proops)
- …
Kerry Katz
- Man Under Stairs
- (voice)
- …
Randy Crenshaw
- Mr. Hyde
- (voice)
- …
Sherwood Ball
- Mummy
- (voice)
- …
Carmen Twillie
- Undersea Gal
- (voice)
- …
Glenn Walters
- Wolfman
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Jack Skellington is the Pumpkin King the creative genius behind the holiday of Halloween, designing each year to be scarier and more horrible than the one before. However deep inside he longs for more than the horror and scares of Halloween Town, a longing he cannot understand until he stumbles into Christmas Town and sees happiness and cheer the likes of which has evaded him all these years. Having finally worked out what Christmas is all about, Jack decides to kidnap Santa and make himself the new king of Christmas Town so that he can have the happiness of Christmas all the time. But the others in the towns realize the significant consequences that this disruption of the norm will have as Jack's evil nature proves harder to overcome than he thought.
With Pixar currently dominating the world of 'animations that please both children and adults' it is easy to forget that over a decade ago Tim Burton delivered this delightful family film to the cinema using a much more traditional animation and a huge amount of imagination. The basic plot is a great little fantasy fairytale with a very dark heart to it that make it much more enjoyable for having that edge. Too often kids films (especially at the time and animated) are soaked in a sweet sentiment that simply forgets that kids are not stupid and indeed often prefer a bit of darkness in the story. The only downside of this darkness is that younger children might not 'get it' and just end up being scared by the Halloween images and imaginative images. Despite this the material will play equally well to adults and children because it neither panders to nor excludes one group over the other at any time. Regardless of the material, the film still manages to come off as charming and enjoyable thanks to a well-written script that never plays for the basic laugh or easy sentiment. Some viewers may come to this with Pixar in their minds and bemoan it for not being hilariously funny from start to finish, but they are missing the point and
The songs reflect this approach and are very clever throughout; whether it is the sorrowful longing of Jack at the start or the Cab Calloway-inspired song from Oogie Boogie Man, generally they are inventive and fun. The same praise can be laid at the door of the stop-motion animation, which is inventive and fun to look at from start to finish. All the characters have a great deal of effort put in and they add to the dark feel of the film. The voice cast may not feature a load of well-known voices in the same way as Pixar films generally do, but they still do a great job. Sarandon and Elfman combine to do a good job with Jack; Page is fun as Oogie Boogie; O'Hara is good as Sally despite not having as fun a character to work with but for my money it is Hickey (as Dr Finklestein) and Shadix (Mayor) that make the biggest impression, mainly due to having the most enjoyable characters.
Overall this is a very short but very enjoyable film that will please both children and adults at the same time (with the same material) and never ignores or panders to one side of the audience over the other. Both groups will appreciate the dark fairytale, the clever songs, the darkly imaginative animation and the comic sense of humour, making this a family film that deserves to be remembered even as kids movie get smarter and fancier.
With Pixar currently dominating the world of 'animations that please both children and adults' it is easy to forget that over a decade ago Tim Burton delivered this delightful family film to the cinema using a much more traditional animation and a huge amount of imagination. The basic plot is a great little fantasy fairytale with a very dark heart to it that make it much more enjoyable for having that edge. Too often kids films (especially at the time and animated) are soaked in a sweet sentiment that simply forgets that kids are not stupid and indeed often prefer a bit of darkness in the story. The only downside of this darkness is that younger children might not 'get it' and just end up being scared by the Halloween images and imaginative images. Despite this the material will play equally well to adults and children because it neither panders to nor excludes one group over the other at any time. Regardless of the material, the film still manages to come off as charming and enjoyable thanks to a well-written script that never plays for the basic laugh or easy sentiment. Some viewers may come to this with Pixar in their minds and bemoan it for not being hilariously funny from start to finish, but they are missing the point and
The songs reflect this approach and are very clever throughout; whether it is the sorrowful longing of Jack at the start or the Cab Calloway-inspired song from Oogie Boogie Man, generally they are inventive and fun. The same praise can be laid at the door of the stop-motion animation, which is inventive and fun to look at from start to finish. All the characters have a great deal of effort put in and they add to the dark feel of the film. The voice cast may not feature a load of well-known voices in the same way as Pixar films generally do, but they still do a great job. Sarandon and Elfman combine to do a good job with Jack; Page is fun as Oogie Boogie; O'Hara is good as Sally despite not having as fun a character to work with but for my money it is Hickey (as Dr Finklestein) and Shadix (Mayor) that make the biggest impression, mainly due to having the most enjoyable characters.
Overall this is a very short but very enjoyable film that will please both children and adults at the same time (with the same material) and never ignores or panders to one side of the audience over the other. Both groups will appreciate the dark fairytale, the clever songs, the darkly imaginative animation and the comic sense of humour, making this a family film that deserves to be remembered even as kids movie get smarter and fancier.
Tim Burton's 'The Nightmare Before Christmas' is one of the nice animated movies not from Disney. It is about Jack Skellington, the Pumpkin King, who lives in Halloweentown. One day he goes through a door in a tree and arrives in Christmastown and sees how happy and beautiful it is over there. When he is back in Halloweentown he shows his friends what Christmas is like, and he suggests to do Christmas this year instead of Halloween. Things do not go as planned.
Everything is beautifully animated and although the story is not that great it is entertaining the whole way through. I liked all the songs in the movie and there are some good laughs as well. Definitely worth watching.
Everything is beautifully animated and although the story is not that great it is entertaining the whole way through. I liked all the songs in the movie and there are some good laughs as well. Definitely worth watching.
This is certainly a pleasant surprise. Tim Burton, purveyor of the wacko, has created, along with his amazing team, a real classic work. Seldom does a film bank on so much originality, from the incredible creation of Halloween Town, with its denizens, marvelous in their diversity and variety, to a really interesting plot. The character of Jack Skellington is a scene-stealer. Considering he pretty much a stick with a round, skeletal head, he has amazing expression and energy. He is an artist and a rebel, dissatisfied with the continuing shortsightedness of his frightening peers. When his world opens up through an accidental fall into another town, paralleling his own, he tries to bring Christmas back with him. The problem is that he really doesn't understand the concept well enough. He mixes his own social foundation with an alien one and the results are hilarious. Wonderful to look at with some of the finest animation you will ever see, each moment carefully scripted and produced.
This movie is so dark, funny and cute its hard to explain, but i'll try, here goes.
Jack Skellington is the king of Halloween, the scariest guy in town. But he's bored and restless with life. One night, walking in the woods, he comes across a doorway to Christmastown, where everyone is happy, kind, cheerful and no ones dead! He decides he wants to try Christmas himself, so all of Halloweentown try to claim Christmas while preparing for their very own Christmas eve...
This has got to be the best animation films i have ever seen, it is not up-to-date computer technology with fancy lighting effects and computerised water reflection. Its old-fashioned, simple puppet animation, and it fits fantastically. The attention to detail is extraordinary, Halloweentown pacifically looks wonderfully Gothic. Christmas town is..well..christmassy. The puppets movement seems a little jittery the first time you watch it, but once you are used to the style you will not notice anything drastic.
You do really feel for Jack as a depressed skeleton, bored with his life. You want him to find what hes looking for. Also for Sally, Jacks unnoticed, under appreciated love interest who knows something will go wrong and tries in vain to stop Christmas. The greatest characters though are the Oogie Boogie man, a gambling addict, slightly old school town misfit brilliantly voiced by Ken Page. And the Mayor, who has two personalities, optimistic or neurotic, depending which side of his head your talking too!
The music is catchy, although sometimes it gets in the way of important character development, and everyone in the cast can sing (which is unusual for this type of musical.) Only one song is a little boring and that is the slow one which is sung by Jack second, but you soon forget about that and on to the brilliant ones like 'Kidnap mr. Sandy Claws' and 'The Oogie Boogie song.'
My only glich with this film is it doesn't spend enough time on the character development the other residents of Halloweentown, spending far too much time on Jack. I for one would love too discover more about Oogie Boogie, like why was he outcast in the first place? and why does he seem to have a vendetta with Jack? And there are a lot of background characters who i would have loved too see more of. Wolfman, The hanging tree, the 2 witches, the slime monster and the Vampires to name a few.
A cute little plot woven in with brilliant characters and catchy songs, Tim Burton has outdone himself with this holiday treat for everyone!
Jack Skellington is the king of Halloween, the scariest guy in town. But he's bored and restless with life. One night, walking in the woods, he comes across a doorway to Christmastown, where everyone is happy, kind, cheerful and no ones dead! He decides he wants to try Christmas himself, so all of Halloweentown try to claim Christmas while preparing for their very own Christmas eve...
This has got to be the best animation films i have ever seen, it is not up-to-date computer technology with fancy lighting effects and computerised water reflection. Its old-fashioned, simple puppet animation, and it fits fantastically. The attention to detail is extraordinary, Halloweentown pacifically looks wonderfully Gothic. Christmas town is..well..christmassy. The puppets movement seems a little jittery the first time you watch it, but once you are used to the style you will not notice anything drastic.
You do really feel for Jack as a depressed skeleton, bored with his life. You want him to find what hes looking for. Also for Sally, Jacks unnoticed, under appreciated love interest who knows something will go wrong and tries in vain to stop Christmas. The greatest characters though are the Oogie Boogie man, a gambling addict, slightly old school town misfit brilliantly voiced by Ken Page. And the Mayor, who has two personalities, optimistic or neurotic, depending which side of his head your talking too!
The music is catchy, although sometimes it gets in the way of important character development, and everyone in the cast can sing (which is unusual for this type of musical.) Only one song is a little boring and that is the slow one which is sung by Jack second, but you soon forget about that and on to the brilliant ones like 'Kidnap mr. Sandy Claws' and 'The Oogie Boogie song.'
My only glich with this film is it doesn't spend enough time on the character development the other residents of Halloweentown, spending far too much time on Jack. I for one would love too discover more about Oogie Boogie, like why was he outcast in the first place? and why does he seem to have a vendetta with Jack? And there are a lot of background characters who i would have loved too see more of. Wolfman, The hanging tree, the 2 witches, the slime monster and the Vampires to name a few.
A cute little plot woven in with brilliant characters and catchy songs, Tim Burton has outdone himself with this holiday treat for everyone!
THE NIGHTMARE BEFORE CHRISTMAS / (1993) ***1/2
Starring the voices of: Danny Elfman, Chris Sarandon, Catherine O'Hara, Ken Page, Ed Ivory, and William Hickey Directed by Henry Celiac. Written by Michael McDowell. Running time: 76 minutes. Rated PG (for horrific images and some animated violence).
Tim Burton seems like the only being on the planet who could come with characters such as the ones found in "The Nightmare Before Christmas." The feature is literally a tale likely to be found in a child's dreams. It creates a world of its own, inhabiting unforgettable characters and events that should be shared with generations. This film is a visual masterpiece; a movie that deserves to be a holiday favorite for some time to come.
The atmosphere director Henry Celiac captures in "The Nightmare Before Christmas" is truly breathtaking. The cities and setting in which these characters live are visually perplexing, yet descriptive and develop the production's mood perfectly. We, as audiences starving for originality and imagination, are able to enter a scope so believable and unrelentingly convincing we lust for every last minute of it.
The movie's protagonist is Jack Skellington, the pumpkin king of the holiday town of Halloween. Jack is the role model for much of the cities population. The only problem is that Jack has been around for ages, parked in a town where every single year builds up for a conventional holiday, Halloween. This character has grown depressed and saddened by the routine living style he inhabits. We learn of his passion for new events and a and new life through a musical number that is both effective and engaging.
Later on that vary night, Jack wonders off into a nearby woods and stumbles upon an area surrounded with magical doors leading to specific holiday worlds. Jack, blooming with curiosity, enters Christmas town: a joyful, happy place with snow, glitter, children singing, and colorful lights decorating the village in its entirety. Jack is mystified by the glamorous atmosphere, and rushes home to tell the Town of Halloween about his adventures.
We realize the internalconflict is Jack's boredom of routine. This becomes more complex when he tries to figure out the meaning of Christmas. The external problem comes later in the plot, where we predict an uneasy disaster upcoming due to his intentions of recreating Christmas in Halloween style.
Other key characters are Sally, the puppet-like creation of an angry professor, the city's Mayor who has a head for both his good and bad personality, the Oggie Boogie, the film's villain who is everything we ever dreamed of regarding a diabolical animated bad guy, and the inevitable character of Santa Clause.
"The Nightmare Before Christmas" is not necessarily a children's movie, it might be too strange or fanatical for the very young. It is certainly a musical production, and at times, I felt that the songs replaced essential development. However, the musical numbers are challenging and memorable, containing passion and emotion. The picture is a walk into the mind of some of the most wildly imaginative filmmakers of our time. "The Nightmare Before Christmas" is titled wonderfully, although the film is truly not a nightmare, but a dream--a dream brought to life on the big screen.
Brought to you by Touchstone Pictures.
Starring the voices of: Danny Elfman, Chris Sarandon, Catherine O'Hara, Ken Page, Ed Ivory, and William Hickey Directed by Henry Celiac. Written by Michael McDowell. Running time: 76 minutes. Rated PG (for horrific images and some animated violence).
Tim Burton seems like the only being on the planet who could come with characters such as the ones found in "The Nightmare Before Christmas." The feature is literally a tale likely to be found in a child's dreams. It creates a world of its own, inhabiting unforgettable characters and events that should be shared with generations. This film is a visual masterpiece; a movie that deserves to be a holiday favorite for some time to come.
The atmosphere director Henry Celiac captures in "The Nightmare Before Christmas" is truly breathtaking. The cities and setting in which these characters live are visually perplexing, yet descriptive and develop the production's mood perfectly. We, as audiences starving for originality and imagination, are able to enter a scope so believable and unrelentingly convincing we lust for every last minute of it.
The movie's protagonist is Jack Skellington, the pumpkin king of the holiday town of Halloween. Jack is the role model for much of the cities population. The only problem is that Jack has been around for ages, parked in a town where every single year builds up for a conventional holiday, Halloween. This character has grown depressed and saddened by the routine living style he inhabits. We learn of his passion for new events and a and new life through a musical number that is both effective and engaging.
Later on that vary night, Jack wonders off into a nearby woods and stumbles upon an area surrounded with magical doors leading to specific holiday worlds. Jack, blooming with curiosity, enters Christmas town: a joyful, happy place with snow, glitter, children singing, and colorful lights decorating the village in its entirety. Jack is mystified by the glamorous atmosphere, and rushes home to tell the Town of Halloween about his adventures.
We realize the internalconflict is Jack's boredom of routine. This becomes more complex when he tries to figure out the meaning of Christmas. The external problem comes later in the plot, where we predict an uneasy disaster upcoming due to his intentions of recreating Christmas in Halloween style.
Other key characters are Sally, the puppet-like creation of an angry professor, the city's Mayor who has a head for both his good and bad personality, the Oggie Boogie, the film's villain who is everything we ever dreamed of regarding a diabolical animated bad guy, and the inevitable character of Santa Clause.
"The Nightmare Before Christmas" is not necessarily a children's movie, it might be too strange or fanatical for the very young. It is certainly a musical production, and at times, I felt that the songs replaced essential development. However, the musical numbers are challenging and memorable, containing passion and emotion. The picture is a walk into the mind of some of the most wildly imaginative filmmakers of our time. "The Nightmare Before Christmas" is titled wonderfully, although the film is truly not a nightmare, but a dream--a dream brought to life on the big screen.
Brought to you by Touchstone Pictures.
Storyline
Did you know
- TriviaTim Burton has said the original poem was inspired after seeing Halloween merchandise display in a store being taken down and replaced by a Christmas display. The juxtaposition of ghouls and goblins with Santa and his reindeer sparked his imagination.
- Goofs(at around 37 mins) In "Kidnap the Sandy Claws", just before Lock launches Barrel across the room, Lock is singing, and his words are aligned. But when Barrel begins to sing, Lock's lips are moving to the words that Barrel should be singing; Barrel's lips don't move at all.
- Quotes
Jack Skellington: [singing] Just because I cannot see it, doesn't mean I can't believe it!
- Crazy creditsNo credits are shown, except the company and the film's name.
- Alternate versionsThe special edition DVD version has never-before-seen footage of this movie and are the following:
- Lock, Shock and Barrel (the trick-or-treaters) are bored so they grab some snacks and go inside their cage/elevator to watch oogie boogie torture Santa and Sally. And later, a thought to be dead Jack Skellington enters the lair by jumping on the cage/elevator with the kids inside and he scares them which can explain how he got inside the lair at the nick of time. Pictures of the scene were in the promotional booklets, postcard books, and storybooks.
- Jack's further experiments with Christmas such as having a illustrating "Sandy Claws" as a human/lobster hybrid.
- a deleted part of oogie boogie's song that shows his shadow dancing.
- a scene where the vampires are playing hockey with the head of Tim Burton, this was corrected and Tim's head was replaced with a Jack O' Lantern.
- ConnectionsEdited into The Nightmare Before Christmas: Deleted Scenes (2008)
- SoundtracksHere Comes Santa Claus
Written by Gene Autry and Oakley Haldeman
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El extraño mundo de Jack
- Filming locations
- Skellington Productions - 375 7th Street, San Francisco, California, USA(Studio, demolished in 1998)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $93,745,329
- Opening weekend US & Canada
- $191,232
- Oct 17, 1993
- Gross worldwide
- $107,800,040
- Runtime1 hour 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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