Jack Skellington, the pumpkin king of Halloween Town, is bored with doing the same thing every year for Halloween. One day he stumbles into Christmas Town, and is so taken with the idea of Christmas that he tries to get the resident bats, ghouls, and goblins of Halloween Town to help him put on Christmas instead of Halloween -- but alas, they can't get it quite right.Written by
Jon Reeves <firstname.lastname@example.org>
During the "Making Christmas" song, there was a storyboarded sequence after Mr. Hyde and his two little copies sang, in which Jack inspects more of the citizens' work, followed by the singing of the Man Under the Stairs and the Behemoth. The scene would have revealed that Behemoth has a funny high-pitched singing voice. This was the only bit of the song that was trimmed from both the film and the soundtrack, however it is included among the deleted scenes of the film's DVD. See more »
When Dr. Finkelstein is making the skeleton reindeer and discovers the skull, the skull isn't really near him, as you can tell by the shadows on the back wall (the skull doesn't have a shadow). It suddenly pops into existence as the camera lowers itself (the skull's shadow is now visible). See more »
'Twas a long time ago, longer now than it seems in a place perhaps you've seen in your dreams. For the story you're about to be told began with the holiday worlds of auld. Now you've probably wondered where holidays come from. If you haven't I'd say it's time you begun.
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No credits are shown, except the company and the film's name. See more »
The special edition DVD also includes some scenes in storyboard form with voiceovers:
During "Making X-mas", the Behemoth sings about the presents the creatures are making.
A segment of Oogie Boogie's song where bugs dance from his "eyes" and end up sucked in his mouth, this wasn't animated because the dancing bugs would be difficult to animate.
The alternate identity of Oogie Boogie where it's not a bunch of bugs but Dr. Finklestein (the mad scientist), he said he became Oogie Boogie because Sally was in love with Jack even though he created her and as Oogie Boogie he'd give her a lesson she's never forget, Finklestein then mentions a creation that will like him and with Igor's help he escapes through a trap door, this segment ends with Jack saying "i can't believe this".
By 1993, director Tim Burton was such a successful filmmaker in Hollywood that he was able to return to one of his most beloved early projects, "The Nightmare Before Christmas." It's certainly an inspired movie, as it is also very weird, and when I say "weird," I mean it's distinctly Burton.
Even though it was directed with enough competency by Henry Selick, this groundbreaking stop-motion animation film is Burton all the way, as it contains ample "esque" qualities that make this "Nightmare" uniquely his vision.
As the film opens in the twisted, "Burton"-esque village of "Halloweentown," Jack Skellington, who is dually voiced by Chris Sarandon and longtime Burton collaborator Danny Elfman, is celebrating another "horrible" Halloween. You'll be shocked and amazed at some of the town's inhabitants, who include jazz-playing zombies, Four Tenor-like vampires, a wolf man, and a wheelchair-bound scientist who occasionally opens up his cranium to (literally) scratch his brain; his creation, a Frankenstein-like scarecrow named Sally (Catherine O'Hara), yearns for contact with others and is quite fond of Jack Skellington.
But Jack's quickly growing tired of the same old routine year after year, and because he's so downtrodden with boredom, he ventures into the dark forest outside the town's borders, and accidentally stumbles onto the wondrous, jolly world of "Christmastown." Enticed by its splendor, he decides to bring back his discovery to the residents of Halloweentown, who of which are just as shocked by Christmas as he is. Jack gets the brilliant idea to pose as Santa Claus but hires three mischief-makers to kidnap the real Santa so he can share his own, misguided vision of Christmas with an unprepared world.
Painstakingly and meticulously crafted, "The Nightmare Before Christmas" is a beautiful and wonderful film from start to finish. The most famous image of this film is the cover art, which features Skellington eerily silhouetted against a full moon while he stands atop a coiled hill that overlooks a desolate graveyard.
Burton is such a wonderful director, who had already brought us one unique "esque" vision after the other, especially with the first two "Batman" films and "Edward Scissorhands" behind him as of '93 when "Nightmare" was made.
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