Jack Skellington, the pumpkin king of Halloween Town, is bored with doing the same thing every year for Halloween. One day he stumbles into Christmas Town, and is so taken with the idea of Christmas that he tries to get the resident bats, ghouls, and goblins of Halloween Town to help him put on Christmas instead of Halloween -- but alas, they can't get it quite right.Written by
Jon Reeves <email@example.com>
It took a group of around 100 people three years to complete this movie. For one second of film, up to 12 stop-motion moves had to be made. See more »
When Dr. Finkelstein is making the skeleton reindeer and discovers the skull, the skull isn't really near him, as you can tell by the shadows on the back wall (the skull doesn't have a shadow). It suddenly pops into existence as the camera lowers itself (the skull's shadow is now visible). See more »
'Twas a long time ago, longer now than it seems in a place perhaps you've seen in your dreams. For the story you're about to be told began with the holiday worlds of auld. Now you've probably wondered where holidays come from. If you haven't I'd say it's time you begun.
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No credits are shown, except the company and the film's name. See more »
The special edition DVD version has never-before-seen footage of this movie and are the following:
Lock, Shock and Barrel (the trick-or-treaters) are bored so they grab some snacks and go inside their cage/elevator to watch oogie boogie torture Santa and Sally. And later, a thought to be dead Jack Skellington enters the lair by jumping on the cage/elevator with the kids inside and he scares them which can explain how he got inside the lair at the nick of time. Pictures of the scene were in the promotional booklets, postcard books, and storybooks.
Jack's further experiments with Christmas such as having a illustrating "Sandy Claws" as a human/lobster hybrid.
a deleted part of oogie boogie's song that shows his shadow dancing.
a scene where the vampires are playing hockey with the head of Tim Burton, this was corrected and Tim's head was replaced with a Jack O' Lantern.
One of the best films of 1993, highly re-watchable
I was a kid when I first saw Tim Burton's Nightmare Before Christmas, but I wasn't scared by it in the slightest - this world is one entirely of the imagination, and in a sense saying that the film is scary for younger children is something of a compliment. 'Nightmare' is both a horror film and a musical, and fantasy and a suspense film, and like most Burton effort, comedy is thrown in at just the right moments.
With Henry Selick as director and Michael McDowell & Caroline Thompson as the screenwriters, Burton has fashioned the worlds of Halloween-town and Christmas-town as real originals, working on the cliches that are in each holiday and surrounding the worlds with a host of terrific and terrifying characters. While Halloween-town has a mayor (appropriately with two faces, one smiling one distressed), the real leader is Jack Skellington (Chris Sarandon voices with a great Danny Elfman as the singing Jack) who orchestrates Halloween every year for its citizens. But he's grown weary over the years, and after stumbling upon Christmas-town, loaded with good will towards men and a large man in a red suit, he gets his town riled up to overtake the joyous holiday. Despite one protest by Sally (an amazing Catherine O'Hara), the doll-girl who loves him, the town goes on creating Jack's vision. The results are hilarious and, indeed, spellbinding.
Much credit is given to Burton and Selick for their work on the film, but a lot should also be attributed to Denise Di Novi (co-producer and co-designer), Rick Heinrichs (visual consultant), Pete Kozachik (D.P.), and of course Danny Elfman for his perfectly fitting score and song creations. Along with the talented voice actors, Nightmare Before Christmas ends up a triumph of artistic ingenuity. Some could construe it as too weird or too stylish, but for the cult audience it has garnered over the past ten years it remains of of Burton's finest accomplishments. A+
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