The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her ...
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Title: Night Train to Venice (1993)
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Cast
| Cast overview, first billed only: | |||
| Hugh Grant | ... | Martin | |
| Tahnee Welch | ... | Vera | |
| Malcolm McDowell | ... | Stranger | |
| Kristina Söderbaum | ... | Old Woman (Euphemia) | |
| Rachel Rice | ... | Pia | |
| Evelyn Opela | ... | Tatjana | |
 |
Samy Langs | ... | Pedro |
|
|
Murphy McLaren | ... | Black Friend |
| Robinson Reichel | ... | Skin Udo | |
| Ralph Herforth | ... | Skin Max | |
|
|
Burkhard Kosminski | ... | Skin Walter (as Burkhart Kosminski) |
|
|
Matthias Kosminski | ... | Skin #4 |
|
|
Renee Kuenzel | ... | Skin #5 (as Renee Künzel) |
|
|
David Kehoe | ... | Conductor |
|
|
Roland Astor | ... | Man in Restroom |
Edit
Plot Summary
|
Plot Synopsis
Storyline
The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her daughter, an elder dancer, five neo-nazi punks and a strange man that seems to have some kind of influence over them through their dreams. Written by Michel Rudoy <mdrc@hp9000a1.uam.mx>
Taglines:
Last stop... terror!Motion Picture Rating (MPAA)
Rated R for language, sexuality, violence and drug content | See all certifications »Parents Guide:
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See full technical specs »
Details
Country:
GermanyLanguage:
EnglishRelease Date:
28 September 1996 (USA) See more »Also Known As:
Train to Hell See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Sound Mix:
Dolby SRColor:
Color
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Did You Know?
Trivia
Despite its showing at the Cannes Film Festival in 1993, this film was not released until 1996, and then only in a few countries. See more »Frequently Asked Questions
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If you like experimental films then you might get a modicum of enjoyment out of the non-linear story line, interleaved editing, and Kenneth Anger-style fantasy imagery, but to the rest of us it is a jumbled mess. As the film progresses, many cards are laid on the table, but not a one of them is played. The dialog is embarrassingly bad, and the meager plot meanders in a few different directions, but doesn't develop any of them. It wasn't even bad enough to laugh at. The ending came close to being laughable, but when I realized that this was in fact the end I was furious at having wasted so much time. The ONLY redeeming quality of the film was the images of Venice during Carnival. That was quite haunting and beautiful, but not nearly worth the boredom and frustration one must endure in the vain attempt to make sense out of this cluttered mishmash.