An unemployed Mancunian vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.An unemployed Mancunian vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.An unemployed Mancunian vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.
- Nominated for 1 BAFTA Award
- 8 wins & 7 nominations total
- Woman in Window
- (as Deborah MacLaren)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTo prepare for the role of Johnny, David Thewlis read Voltaire's Candide, the teachings of Buddha and James Gleick's Chaos, and the holy books the Bible and the Qur'an.
- Quotes
Louise: So what happened, were you bored in Manchester?
Johnny: Was I bored? No, I wasn't fuckin' bored. I'm never bored. That's the trouble with everybody - you're all so bored. You've had nature explained to you and you're bored with it, you've had the living body explained to you and you're bored with it, you've had the universe explained to you and you're bored with it. So now you want cheap thrills and like plenty of them, and it don't matter how tawdry or vacuous they are as long as it's new, as long as it's new, as long as it flashes and fuckin' bleeps in forty fuckin' different colors. So whatever else you can say about me, I'm not fuckin' bored.
That statement is pretty true Naked is as bleak and unforgiving as they come. There are no good guys or any possible chances for redemption. Whenever a glimmer of hope appears during the film, it's obliterated within mere moments. The characters don't undergo any significant changes throughout the film. The film ends in pretty much the same way it begins, probably doomed to repetition until the end of the world. If you sit down to watch this, all I can say is "be prepared". Know what you're getting into.
Although the unforgettable feel of the film could be attributed to its verité style (filmed on the dodgy side of London with very rough-looking film), it could be better attributed to the protagonist himself. David Thewlis gives what's probably his best performance as Johnny, a man with few strengths and countless flaws. His eloquent monologues are roughly balanced by his harsh treatment of others. Johnny has very little respect for anyone or anything and it shows as he inflicts pain (physical or emotional, it doesn't matter to him) on everybody that crosses his path.
As bad as he is, however, he's oddly sympathetic in a way (especially when compared to a landlord who's as callous and sociopathic as he is, possibly more so). In a way, I could actually relate to Johnny (and not just because I have the same coat). He knows how bad he can be and acts accordingly, only because he doesn't believe in anything else or changing his ways. He just exists from day to day, just like any other human being. That's what makes Johnny so compelling he really is only human. When karma finally catches up to him late in the film, we aren't glad to see him suffer. Johnny is the best kind of character, full of nuance that will make different people love him and hate him for the same reasons.
Even though Naked depends heavily on Johnny's presence, he is not the be-all and end-all of the film. The supporting characters are exceptional the stand-out roles being Johnny's ex and her flatmate. Watching them try and deal with the sudden arrival of both Johnny and (later on) the landlord is in itself one very compelling subplot. A runner-up would be the security guard on his graveyard shift who engages in a series of debates with Johnny about time, life, evolution and the inevitable Apocalypse.
Needless to say, Naked was one hell of a film to watch. It makes me wonder exactly how I should rate it, if I should rate it. It's not really one of those movies where you just say "Oh yeah, very good, very moving, 4 stars." You're more likely to watch it and afterwards not say anything, just think about it. Those are the exceptional films, and Naked is definitely that a dark, pessimistic insight into the mind of a human being who treads the fine line between self-destruction and utter dissatisfaction.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Yalang'och
- Filming locations
- 33 St Mark's Rise, London, England, UK(Louise and Sophie's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,769,305
- Opening weekend US & Canada
- $36,463
- Dec 19, 1993
- Gross worldwide
- $1,797,195
- Runtime2 hours 11 minutes
- Color
- Aspect ratio
- 1.66 : 1