In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.
Set in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado.
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ranting at strangers, and meeting characters in plights very much like his own.Written by
John Hartnup <firstname.lastname@example.org>
Katrin Cartlidge and Lesley Sharps would later go on to appear in From Hell (2001), a murder-mystery film about the Jack the Ripper killings starring Johnny Depp. Cartlidge and Sharps played eventual victims of Jack. See more »
I don't know what they want from you half the time. What they start off liking you for, they end up hating you for. Don't like you if you're strong. Don't like you if you're weak. Hate you if you're clever, hate you if you're stupid. They don't know what they want.
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If you liked Pi or The Cruise then you should check out Naked. It's an amazing exploration of a man descended into nihilism, who leaves victims of his intellectual bullying (and misogyny) everywhere. No, it's not PC. Yes, it feels so real. Sorry to gush, but I loved this film.
I like American Existential Anti-Heroes. I wasn't really prepared to confront an English Existential Anti-Hero. Wow, what a different take on a similar stimulus.
This film is a monument to gritty realism, without being self-conscious about it. You can taste this movie. But you never feel like it was faked or forced. The camera work and the lighting never get in the way. I usually notice such things, and here it was invisible and completely immersive. David Thewlis throws every bit of his body into this movie. Even the great closing credit scene.
I would be remiss if I didn't point out the fantastic black humor, especially since some people said it wasn't funny! Sophie wails in the most sustained way I have ever seen in drama. And it's hysterical, even as you're hurting with her. The frantic Scottish kid made me rewind again and again. While I agree that the "landlord" character could have been over the top, his reaction to Johnny flailing on the floor made me laugh out loud. The two characters are really barely distinguishable but that one is a dandy and the other has a fondness for the gutter. As the poster-hanger beats the crap out of our anti-hero you can't help but laugh. And then you nod along as Louise tells him he had it coming in her terrific and constant deadpan (with an occasional suggestion of a smile).
As our protagonist points out, in the end, all the books, and all the learning, and all the discussion, still don't help you understand the point of the cruel joke of life. Yes, it's an old dorm-room discussion that freshman are still having for the 1st time. But that doesn't make the question and the questioning any less desperate. It is human to cry out in pain, even when it's self-inflicted. The references to making a choice for self-destruction are throughout the dialogue, but not so much so that they hit you in the head.
Naked is depressing and euphoric at the same time. Yes it's often "awful", but how can you not cheer for someone who loves life and is trying his hardest to fully engage it? And not one character (or question) gets a pat Hollywood ending or moral -- woo-hoo!
This movie is why people can call film a legitimate art form. It provokes thought, it is drama, and it is beautiful. It thrills me.
Someone asked if the dialogue was improvised. According to IFC, Mike Leigh rehearsed with the cast for 11 weeks before writing the script, which then came to only 25 pages.
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