Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
This urban nightmare chronicles several days in the life of Caine Lawson, following his high-school graduation, as he attempts to escape his violent existence in the projects of Watts, CA.Written by
Daniel Bredy <firstname.lastname@example.org>
During the cookout scene, the grocery bags read "Vote Yes on 163. This refers to California Proposition 163, which amended the California Constitution to prohibit the state, or any county, city, or special district, from imposing sales or use taxes on food products used for home consumption. See more »
During Ronnie's party scene, Caine's voice over says that the party was at the end of the summer. During the party Chauncy tells a girl that "me, A-Wax and Caine went to a Lakers game last night." The NBA season starts in November and has no regular games being played at the end of the summer. See more »
[Playing cards at a table]
Look here, man. Now that you been out the joint two weeks don't you think it's about time you gave me my money?
Told you I ain't got your money yet, man.
'da fuck you mean you ain't got my money yet? motherfuckin' everybody know about that money you hid from that robbery!
mu'phucka I told you I ain't got your money yet, man!
[tilts head to the left]
'Da fuck you mean you ain't got my money yet? muthafucka you best be comin' up wit' my cash or else you know what I'm ...
[...] See more »
The Hughes brothers, when queried about the film's explicit content, have often talked about a "prison riot" scene that studio execs forced them to cut in order to avoid an NC-17 rating. The scene has yet to appear in any of the released versions of the film. See more »
Extremely brutal, but gripping and compelling story of a volatile, alienated young teenager (Turner) growing up in the violent atmosphere of the L.A. Watts District and—against the advice of family and friends—makes no effort to transcend the harshness and ignorance of his surroundings, instead choosing to head down a dead-end path. Violent, almost unbearable at times, but faultlessly acted by the cast, and filled with powerful, authentic scenes. Tate is an absolute powerhouse as Turner's younger, impulsive, and extremely cold-blooded pal. Obviously not for all tastes, but a monumental achievement regardless, thanks to a superior cast of actors. ***½
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