When shy, soft-spoken Chicago detective Wayne "Mad Dog" Dobie inadvertently saves the life of local gangster Frank Milo, he's the reluctant recipient of an unusual one week "thank you" gift - a beautiful bartender named Glory.
Wayne Dobie is a shy police photographer who saves the life of crime boss Frank Milo. Greatful, Milo insists on being Wayne's friend, offering him the companionship of "Glory", one of his employees. Wayne is thus in a difficult situation: he can't be seen to be fraternising with criminals, and he's unsure about how to deal with Glory.Written by
Murray Chapman <firstname.lastname@example.org>
In the scene at the police station where Wayne is typing up a report while he talks to Frank, he uses white-out to correct a mistake. But since he's using a multi-part form, the typo would only be fixed on the top copy. See more »
Surprising casting, great acting, ambiguous message (and that's a good thing).
If you don't like movies that are adequately summarized in a 20 second spot, if you do like to see actors work against stereotypical expectations and do it well, if you don't believe people or endings are all good or all bad and you're OK with that, this might be a movie you will want to add to your collection. DeNiro is doing the expected only in that he is practicing his patented shape shifting technique -- I found his characterization both believable and involving. Murray gives his first great serious performance -- who knew he could be menacing? Uma is hard to figure, in the way conflicted people often really are. David Caruso gives the most out-there performance I have seen from him, and in this movie it works. (I didn't know him in his first TV cop series, but this character is nothing like the one he plays in CSI Miami.) You might even find yourself rethinking what really happened, and liking that, too.
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