In this, the third film, it's the pets who do the talking. The Ubriacco's find themselves the owners of two dogs, Rocks, a street wise cross breed, and Daphne, a spoiled pedigree poodle. ...
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Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken ... See full summary »
In this, the third film, it's the pets who do the talking. The Ubriacco's find themselves the owners of two dogs, Rocks, a street wise cross breed, and Daphne, a spoiled pedigree poodle. James has a new job, pilot to the sexy and lonely Samantha. Mollie's just lost hers and is stuck at home.Written by
A 4th installment was never made. If a 4th installment had been made today, it's most likely it would had been a spin-off and may had followed either adult Mikey or adult Julie as they have their own children and the spin-off made had followed their children from their points of views. See more »
[Mollie is calling Mr Conti to locate her husband and Samantha through a noisy office party]
Mr Conti's Secretary:
Mr. Conti's office? WHAT cabin? I'm sorry, there must be some mistake. Mr Conti is in the Bahamas with his family-EEEEEEEE
Mr Conti's Secretary:
[gets prodded in a ticklish area by a playful workmate, laughs zealously]
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Deeply unsettling, hopelessly inept and really boring.
At least the second film in this god-awful trilogy had the benefit of being so bad and inappropriate it was unintentionally hilarious. This scattershot, occasionally offensive, always unsettling and very dumb film is one of the most boring cinematic experiences in recent memory. The side plot of dogs, (how'd they score DeVito and Keaton, both of whom were doing much better that Alley or Travolta at this point in their carreers?), is useless; the 'dad is hard at work' subplot is just recycled from the second film, (they even use the same dream gag), and the plot doesn't really exist. And why does everyone keep ragging on Travolta's carreer? Being a pilot is no easy feat!
Travolta and Alley, who seem to get along in real life, seem to repel each other onscreen; maybe because they're platonically inclined to each other in reality; onscreen they're like two positively charged magnets pushing each other apart. On top of all that, the casual misogyny throughout is grating and extremely distasteful. Dumb, dumb, dumb.
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