Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ...
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Bernardo Bertolucci, along with co-scenarist Gianni Amico, used Dostoievski's 1846, pre-imprisonment novella The Double: A Petersburg Poem, which they moved to Italy and updated to the pro-Vietcong student-protest present,
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class Indian girl. Together, they journey to Bhutan where the three children must undergo a test to prove which is the true reincarnation. Interspersed with this, is the story of Siddharta, later known as the Buddha. It traces his spiritual journey from ignorance to true enlightenment.Written by
Samantha Santa Maria <TE7441667@ntuvax.ntu.ac.sg>
For the scene in the forest with the ascetics, where Siddartha becomes emaciated from lack of food, Keanu Reeves went on a crash diet of oranges and water. See more »
Early in the movie, when Kenpo and the 3 other Tibetan monks are driving north on the top level of WA-99 the movie cuts to a separate shot of the same group now traveling north on Interstate-5 and then again south on the lower level of the WA-99 viaduct. However, as the scene continues, the group ends up atop the Queen Anne neighborhood, which is a northern part of Seattle. See more »
Once upon a time, in a village in ancient India, there was a little goat and a priest. The priest wanted to sacrifice the goat to the gods. He raised him arm to cut the goat's throat, when suddenly the goat began to laugh. The priest stopped, amazed, and asked the goat, "why do you laugh? Don't you know I'm about to cut your throat?" "Oh yes," said the goat. "After 499 times dying and being reborn as a goat, I will be reborn as a human being." Then the little goat began to cry. The...
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At the very end of the credits, there is a shot of a hand wiping away the sand of the mandala. (Mandalas are brushed away at some point after completion to symbolize Impermanence, one of the tenets of Buddhism). See more »
I certainly disagree with the commentary that calls this movie plotless. I agree that it's slow, but what's wrong with slow? Roger Ebert put the movie down by calling it 'Buddhist Sunday School.' True, the Buddha parts are simplistic, but then so is the original Buddha story. Slow, thoughtful, peaceful, subtly stimulating, and with a plot to end all plots-- the one-ness of all individuality. I much prefer this to the more recent Kundun, which tries to tell essentially the same story. In fact, Scorsese rips this movie off dreadfully, even to the same wiping out of the sand pattern at the end.
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