In the author A.E. Hotchner's book " Paul and Me" ( about his lifetime friendship and business partnership with Paul Newman) he says that "King of the Hill" is his own autobiography. Newman asked him to write a screenplay from it, so they could produce the film, but Hotchner said he just couldn't do it, implying he was too close to it... the story of his parents, and himself as a child. Paul Newman replied... "A Pity". Then Hotchner goes on to mention that this film, Steven Soderbergh's version, produced by Robert Redford, was excellent, named one of the top ten films of the year, and praised the remarkable performance of 14 yr old Jesse Bradford. See more »
At approximately 21 minutes, Aaron is having a soda at Billy's house. There is a plate with bread and a cherry pie on the counter behind him. They disappear and reappear from scene to scene for the next minute or so. See more »
Listen to me, Aaron. You're going to be okay, huh? You're a smart boy. You're very smart. I tell you how smart you are. Once, when you were less than a year old, your mother was in the sanitarium with consumption; and you would cry every night. So, the first few times, I picked you up and you stopped crying. So, I realized you just wanted attention. So, the next time you cried, I got a glass of cold water, and I stood over the crib and I said, 'You see this? This is a glass of cold water...
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This film was re-recorded in a Swelltone theater See more »
Over the years this little gem of a film has become a personal favourite. I revisit it continuously, I enjoy showing it to someone who never heard of it and it never fails. The emotions are renewed and reinvigorated with each viewing. Jesse Bradford is simply phenomenal and so is Adrian Brody, yes him, "the kissing pianist" in a remarkable early performance. The face of Karen Allen, as the teacher, listening to Jesse Bradford read his tall tale, profoundly aware that she has someone truly special in her class, is so beautiful that goes in an out of my memory bank more often than the names of some of my closest relatives. Spalding Gray and Elizabeth McGovern's characters deserve a full movie of their own. Lisa Eichhorn's tender fear of having to leave her children behind is just another of the ravishing notes of this stunning film. If you haven't seen it. Give yourself the pleasure. You are going to love every little bit of it.
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