The Joy Luck Club (1993)

The life histories of four Asian women and their daughters reflect and guide each other.

Director:

Wayne Wang

Writers:

Amy Tan (novel), Amy Tan (screenplay)

Stars:

Tamlyn Tomita, Rosalind Chao, Kieu Chinh

Nominated for 1 BAFTA Film Award. Another 3 wins & 4 nominations.

Cast

Cast overview, first billed only:
Kieu Chinh	...	Suyuan - The Mother
Tsai Chin	...	Lindo - The Mother
France Nuyen	...	Ying-Ying - The Mother
Lisa Lu	...	An-Mei - The Mother
Ming-Na Wen	...	June - The Daughter
Tamlyn Tomita	...	Waverly - The Daughter
Lauren Tom	...	Lena - The Daughter
Rosalind Chao	...	Rose - The Daughter
Chao Li Chi	...	June's Father
Melanie Chang	...	June - Age 9
Victor Wong	...	Old Chong
Lisa Connolly	...	Singing Girl
Mai Vu	...	Waverly - Age 6-9 (as Vu Mai)
Ying Wu	...	Lindo - Age 4
Meijuan Xi	...	Lindo's Mother (as Mei Juan Xi)

Storyline

Through a series of flashbacks, four young chinese women born in America and their respective mothers born in feudal China, explore their past. This search will help them understand their difficult mother/daughter relationship.

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Plot Keywords:

chopsticks the eating utensil | mother murders own child | subtitled scene | sacrifice | farewell party | 

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for strong depiction of thematic material

Details

Country:

USA China

Language:

English Mandarin Cantonese

Release Date:

29 October 1993 (USA)

Also Known As:

El club de la buena estrella

Filming Locations:

610 Rhode Island Street, San Francisco, California, USA

Box Office

Budget:

$11,000,000 (estimated)

Gross USA:

$32,861,136

Company Credits

Production Co:

Hollywood Pictures

Technical Specs

Runtime:

139 min

Sound Mix:

Dolby Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

In a 2018 NPR interview, executive producer Janet Yang recalled that director Wayne Wang (who she said usually had "the most lovely personality") lost his temper in a marketing meeting because the studio had presented him with the choices for posters to advertise The Joy Luck Club, and all of the options avoided showing the face of an Asian person. Either the designs were very abstract (for example, a decorative woodcut) or they were photos of the actresses' backs.

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Goofs

June's hair moves from in front of her shoulder to behind it several times just before Suyuan gives her the necklace.

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Quotes

Old Chong: How many sharps? How many flats? What key are we in?
Jing-Mei 'June' Woo: Z major.
Old Chong: What?
Jing-Mei 'June' Woo: Z major!
Old Chong: Good.

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Connections

Referenced in The Simpsons: Homer vs. Patty and Selma (1995)

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Soundtracks

Flute and Harp Concerto in C, K.299 (Andantino)
(1778)
Written by Wolfgang Amadeus Mozart

User Reviews

Double-Edged Sword

There are quite a few themes in this movie. One that springs to mind for me, right away, is that of a generation gap AND a cultural gap. This is a story about Chinese-American girls, growing up in America, raised by women who came of age in Mainland China, decades earlier. One interesting thought: most of these Chinese mothers came to America, wishing to fight like a tiger for their daughters...........wishing that they could give their daughters a much better life (and a MUCH LESS PAINFUL life) than they had. Unfortunately most of their daughters interpreted their tenacious desire to fight for them (and push them to excellence) as a lack of love: hence the "double-edged sword" of "giving their all" for their daughters.

I am all too keenly aware that this is what most people would call a "chick flick". Nevertheless, as a man, I loved it. I enjoyed how the stories of the mother's and daughter's childhoods (and their younger years in general) were interwoven throughout the movie like a Chinese tapestry or quilt. Moving in and out of the American and Chinese cultures made this even more interesting to watch. Every tale, that each Chinese mother narrated, was like a work of art: a work of art complete with flutes, violins and various types of Chinese instruments in the background. Their tales were also frequently accompanied by breathtaking views of snowcapped mountains and the wide, open Chinese countryside (so very similar to what we have seen on sheets of rice paper or on porcelain plates).

There was also a lot of powerful energy in this film. Not all of it was the negative energy of deep conflicts and emotional strife between mother and daughter. Much of it was quite positive and invigorating: the energy that filled the room of these daughters and mothers when they got together to CELEBRATE LIFE at an "extended family" party...........The very moving and touching energy, that surged forth, when mother and daughter often came together, after years and decades of conflict..........and realized that they were on each other's team..........The tears of joy that often sprang forth, when a given daughter realized, for the first time, that her mother was not disappointed in her..........and that her own happiness was PARAMOUNT, in her mother's heart.

In a small way, it did bother me that every single one of the Chinese mothers came from a dysfunctional family (and/or background). I do realize, however, that the overall story would not have been anywhere near as "riveting", had each daughter not had a mother who had to fight and claw her way to survival (and to sanity!). I will say that, of all the mothers, Tsai Chin's Lindo Jon character was perhaps the most unforgivable role model for maternity. Most of my friends, who have seen this movie, agree that she was almost HATEFUL in her attitude toward her daughter! However, this part of the movie did help make the overall plot very interesting (and deeply charged with emotion!).

A few closing comments: as a former student of Chinese History I really enjoyed seeing some of the common Chinese familial traits played out in this movie: respect for elders, honoring one's ancestors and being an obedient child. Finally, I must compliment the casting director of The Joy Luck Club: you selected some of the prettiest little girls to play the mothers and daughters in their earliest years.