Marc and Nathalie are brother and sister living separately since their parents' separation. Marc decides to visit Nathalie but in order to finance his trip he robs a shop bringing him to the attention of the police.
Michel Racine is a feared president of Assize Court, as strict with himself as with others. Everything changes when he meets again Ditte when she's selected as a juror in a criminal trial over which he presides.
Sidse Babett Knudsen,
A cross-cultural drama about a wealthy middle-aged Frenchman's yearning for a nineteen year local girl. Raja is an orphan literally and figuratively scarred by life. Fred is an emotionally ... See full summary »
A woman returns to her village after her father's death, who has never loved. She meets a man who spends his days cultivating the land and writing. Each of their meetings will culminate in a need for them to confront physically.
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Herr Werther, a new magistrate to the Grand Duchy of Walheim who is a violinist and poet, seems to have fate on his side as he meets and pursues a beautiful local woman, Charlotte. But as ... See full summary »
With the help of a couple of her oddball friends, a woman takes her former lesbian lover to a hotel to convince her that their affair shouldn't end. After much shouting and some sex, things complicate when the lover's husband shows up.
One of the most exquisite films about loss of innocence
This film starts from a wonderful concept. The psychological situation represented in Goethe's famous story is transplanted into adolescents in modern Paris. The structuring event (the suicide of Ismael's best friend) has already taken place when the film begins, and Doillon and his young actors do a magnificent job of convincing us of the trauma that this creates. What makes the film to totally memorable is the way that it seamlessly moves from a mystery story into an unforgettable examination of the vulnerability of young emotions. As Ismael and his classmates jump to conclusions and then discover the enigmatic Miren, we are dragged into their world and their sensibility. I have always (at least from 'La Drolesse' until the disaster of 'Les Petites Freres') believed that Doillon was the only truly great French director of his generation. But this great little masterpiece seems to even take him to a higher level. This is one of the very few films that demonstrates that the greatest pain in life comes from falling in love with the inaccessible. Thank you, Jacques.
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