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Jason Goes to Hell: The Final Friday (1993)

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Serial killer Jason Voorhees' supernatural origins are revealed.

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(story), (story) | 2 more credits »
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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Steven Freeman
Kari Keegan ... Jessica Kimble
... Jason Voorhees / Security Guard #2 / Freddy Krueger's arm
... Creighton Duke
... Robert Campbell
... Diana Kimble
... Joey B.
... Coroner
... Shelby
... Sheriff Ed Landis
Kipp Marcus ... Officer Randy Parker
... Josh
Adam Cranner ... Ward
... Vicki
... Agent Elizabeth Marcus
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Storyline

The secret of Jason's evil is revealed. It is up to the last remaining descendant of the Voorhees family to stop Jason before he becomes immortal and unstoppable. This is the final (?) battle to end Jason's reign of terror forever. Written by Michael Silva <silvamd@cleo.bc.edu>

Plot Summary | Plot Synopsis

Taglines:

Jason goes to hell, and he's NOT coming back! See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and gore, and for sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 August 1993 (USA)  »

Also Known As:

Friday the 13th Part 9  »

Filming Locations:

 »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$9,777,000, 15 August 1993, Wide Release

Gross USA:

$15,935,068
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

FBI Agent Elizabeth Marcus is named after the director, Adam Marcus. See more »

Goofs

The note that Jessica found in Stephanie's crib changes. When she finds it, it reads "I have what you want..." and is written in blue ballpoint pen. But when Steven finds the note later, it reads "I have your baby..." and is now written in thick, black permanent marker. See more »

Quotes

[first lines]
Agent Elizabeth Marcus: [flips switch, light blows out] Shit.
See more »

Crazy Credits

On the end of the credits, we hear the famous echo: "Ki-ki-ki...ma-ma-ma" See more »

Connections

Featured in Bits and Pieces: Bringing Death to Life (2003) See more »

Frequently Asked Questions

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User Reviews

 
This Is Not A "Friday" Film
12 August 2007 | by See all my reviews

If longtime fans of the "Friday the 13th" saga have anything to say about it, the people behind this film will burn in the same place as its hockey-masked star. "Jason Goes to Hell: The Final Friday" is completely preposterous, out of place and an affront to what had been a dependable horror series.

Admittedly, director and co-writer Adam Marcus deserves credit for his boldness. He seemed inexplicably convinced that the wheel of the "Friday" series needed to be drastically reinvented, even though fans had lined up for basically the same plot eight times prior. But the brainwave of having Jason possessing one body after another alters the very fabric of what made these films good. Suddenly it's like we're watching an "Invasion of the Body Snatchers" rip-off. Throw in Jason's newfound grunting, a far-too-heavy plot and a magical dagger (!) and you have something completely unworthy of the "Friday" moniker.

"Jason goes to Hell" is also incredibly lazy. All "Friday" films, by their very nature, require a leap of faith, but this is really too much. Firstly, this marked the first time that no explanation was given for Mr. Voorhees' reemergence. Were we all dreaming when we watched him get melted down to goo in the sewers of New York City? And what about Jason's rebirth toward the end (the most ridiculous moment of any "Friday" film)? How can a little slimy demon be reborn into a man already wearing ripped clothing and a hockey mask? And what about bounty hunter Creighton Duke? It's never explained how he knows so much about Jason and the mythical circumstances surrounding his life. In each of these instances, there seemingly are no easy answers. So rather than be inventive, the writers just threw all of this at us and hoped we would lap it up like thirsty kittens at a milk dish. This sequel completely ignores the continuity of the Jason legend that had been meticulously built up over the years.

What's equally tragic about "Jason goes to Hell" is its insistence on mocking the series. At one point, John D. LeMay's character sarcastically asks a trio of teens headed for Camp Crystal Lake whether they plan to smoke dope, engage in premarital sex and then get slaughtered. Har har. The transformation of Jason into some kind of media star is just as unnerving. Jason is a legend, a mythical figure whispered about in wildly imaginative campfire stories. Yet this movie turns him into a serial killer so well known he makes the TV tabloids and is targeted by the FBI. This is not the Jason we know, and "Jason goes to Hell" is not the "Friday the 13th" we love. It essentially breaks the fingers of the hand that feeds it.

The failure of "Jason goes to Hell," both in terms of concept and box office revenue, inevitably draws comparisons to the much-panned "Friday the 13th Part V: A New Beginning." That film drew plenty of boos for its Jason-less gimmick, but at least it had the feel of a "Friday" flick. "Jason goes to Hell" is substantially worse than any other entry, mainly because it is completely unrecognizable. Like "Part V," it probably would have worked better as a horror film independent of the Jason saga, rather than dragging Mr. Voorhees into a place he has no business being.

Clearly, Adam Marcus was wrong. The "Friday the 13th" wheel did not need reinventing. The failure of this film (and "Jason X" years later) shows that fans want a return to simpler times when horny teens in cabins were afraid to look out their windows. As the saying goes, if it ain't broke, don't fix it.


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