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Jason Goes to Hell (1993)

Jason Goes to Hell: The Final Friday (original title)
Trailer
1:04 | Trailer
Serial killer Jason Voorhees' supernatural origins are revealed.

Director:

Adam Marcus

Writers:

Jay Huguely (story), Adam Marcus (story) | 2 more credits »
Reviews
Popularity
4,600 ( 124)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
John D. LeMay ... Steven Freeman
Kari Keegan Kari Keegan ... Jessica Kimble
Kane Hodder ... Jason Voorhees / Security Guard #2 / Freddy Krueger's arm
Steven Williams ... Creighton Duke
Steven Culp ... Robert Campbell
Erin Gray ... Diana Kimble
Rusty Schwimmer ... Joey B.
Richard Gant ... Coroner
Leslie Jordan ... Shelby
Billy Green Bush ... Sheriff Ed Landis
Kipp Marcus Kipp Marcus ... Officer Randy Parker
Andrew Bloch ... Josh
Adam Cranner Adam Cranner ... Ward
Allison Smith ... Vicki
Julie Michaels ... Agent Elizabeth Marcus
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Storyline

The secret of Jason's evil is revealed. It is up to the last remaining descendant of the Voorhees family to stop Jason before he becomes immortal and unstoppable. This is the final (?) battle to end Jason's reign of terror forever. Written by Michael Silva <silvamd@cleo.bc.edu>

Plot Summary | Plot Synopsis

Taglines:

Evil has finally found a home. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and gore, and for sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

13 August 1993 (USA) See more »

Also Known As:

Friday the 13th Part IX: The Dark Heart of Jason Voorhees See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$7,552,190, 15 August 1993

Gross USA:

$15,935,068

Cumulative Worldwide Gross:

$15,935,068
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Conceptually, the notion of Jason's essence being transferable came from Adam Marcus' original story treatment. Ignoring Jason Takes Manhattan, he picked up where Part VII: The New Blood left off, i.e., Jason neutralized and trapped at the bottom of Crystal Lake. The film would open with a mystery man dredging up Jason's body, so that an autopsy could be performed in a nearby cabin converted into a science lab. We were supposed to expect Jason to wake up and go berserk. However, as a surprise, Jason would awake only to watch his own black heart torn out by the the mystery man. This would instantly render him powerless, and the mystery man would consume the heart, thereby absorbing Jason's "powers." The big reveal would be the identity of the man: Elias Voorhees, Jason's never seen, never mentioned father. It's not clear where the story would have gone from there, but they dropped all of it except the idea of someone eating Jason's heart, thereby taking his powers. Jason's body-hopping via mouth-ingested parasite from that point forward, was likely ripped off from The Hidden (1987), a science fiction flick from New Line's archive. See more »

Goofs

(at around 1h 1 min) When Steven pushes Jessica into the car, you can see the reflection of Robert in the window (behind Jessica). He later attacks Steven on the driver's side. See more »

Quotes

[first lines]
Agent Elizabeth Marcus: [flips switch, light blows out] Shit.
See more »

Crazy Credits

On the end of the credits, we hear the famous echo: "Ki-ki-ki...ma-ma-ma" See more »

Alternate Versions

Scenes in director's cut that do not appear in the R-rated version:
  • The sex scene is longer and more graphic.
  • Much more gory violence; nearly all characters cough up blood as they are being killed, the shot of the tent pole being rammed through the girl, the shot of the chubby guy's hand being broken off, the shot of Robert(Jason) crushing the girl's head and blood spurting out (she then says "go to hell"), Coroner(Jason swings the scalpel more times at the girl outside the tent.
  • The shot of the creature crawling up Diana's dress was also omitted from the R-rated version.
  • After Jason leaves Josh's body, his jaw can be seen on the floor as it melts. This was cut for the "R" rated version. The "R" version also omits most of the heart-eating scene near the beginning.
See more »

Connections

Referenced in The Cinema Snob: Freddy vs. Jason (2018) See more »

Frequently Asked Questions

See more »

User Reviews

 
This Is Not A "Friday" Film
12 August 2007 | by ReelCheeseSee all my reviews

If longtime fans of the "Friday the 13th" saga have anything to say about it, the people behind this film will burn in the same place as its hockey-masked star. "Jason Goes to Hell: The Final Friday" is completely preposterous, out of place and an affront to what had been a dependable horror series.

Admittedly, director and co-writer Adam Marcus deserves credit for his boldness. He seemed inexplicably convinced that the wheel of the "Friday" series needed to be drastically reinvented, even though fans had lined up for basically the same plot eight times prior. But the brainwave of having Jason possessing one body after another alters the very fabric of what made these films good. Suddenly it's like we're watching an "Invasion of the Body Snatchers" rip-off. Throw in Jason's newfound grunting, a far-too-heavy plot and a magical dagger (!) and you have something completely unworthy of the "Friday" moniker.

"Jason goes to Hell" is also incredibly lazy. All "Friday" films, by their very nature, require a leap of faith, but this is really too much. Firstly, this marked the first time that no explanation was given for Mr. Voorhees' reemergence. Were we all dreaming when we watched him get melted down to goo in the sewers of New York City? And what about Jason's rebirth toward the end (the most ridiculous moment of any "Friday" film)? How can a little slimy demon be reborn into a man already wearing ripped clothing and a hockey mask? And what about bounty hunter Creighton Duke? It's never explained how he knows so much about Jason and the mythical circumstances surrounding his life. In each of these instances, there seemingly are no easy answers. So rather than be inventive, the writers just threw all of this at us and hoped we would lap it up like thirsty kittens at a milk dish. This sequel completely ignores the continuity of the Jason legend that had been meticulously built up over the years.

What's equally tragic about "Jason goes to Hell" is its insistence on mocking the series. At one point, John D. LeMay's character sarcastically asks a trio of teens headed for Camp Crystal Lake whether they plan to smoke dope, engage in premarital sex and then get slaughtered. Har har. The transformation of Jason into some kind of media star is just as unnerving. Jason is a legend, a mythical figure whispered about in wildly imaginative campfire stories. Yet this movie turns him into a serial killer so well known he makes the TV tabloids and is targeted by the FBI. This is not the Jason we know, and "Jason goes to Hell" is not the "Friday the 13th" we love. It essentially breaks the fingers of the hand that feeds it.

The failure of "Jason goes to Hell," both in terms of concept and box office revenue, inevitably draws comparisons to the much-panned "Friday the 13th Part V: A New Beginning." That film drew plenty of boos for its Jason-less gimmick, but at least it had the feel of a "Friday" flick. "Jason goes to Hell" is substantially worse than any other entry, mainly because it is completely unrecognizable. Like "Part V," it probably would have worked better as a horror film independent of the Jason saga, rather than dragging Mr. Voorhees into a place he has no business being.

Clearly, Adam Marcus was wrong. The "Friday the 13th" wheel did not need reinventing. The failure of this film (and "Jason X" years later) shows that fans want a return to simpler times when horny teens in cabins were afraid to look out their windows. As the saying goes, if it ain't broke, don't fix it.


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