Frank Horrigan (Clint Eastwood) is a Secret Service Agent who keeps thinking back to November 22, 1963, when, as a hand-picked Agent by President John F. Kennedy, he became one of the few Agents to have lost a President to an assassin when Kennedy died. Now, former C.I.A. assassin Mitch Leary (John Malkovich) is stalking the current President (Jim Curley), who is running for re-election. Mitch has spent long hours studying Horrigan, and he taunts Horrigan, telling him of his plans to kill the President. Leary plans to kill the President because Leary feels betrayed by the government. Leary was removed from the C.I.A., and the C.I.A. is now trying to have him killed. After talking to Leary, Horrigan makes sure he is assigned to Presidential protection duty, working with fellow Secret Service Agent Lilly Raines (Rene Russo). Horrigan has no intention of failing his President this time around, and he's more than willing to take a bullet. White House Chief of Staff Harry Sargent (Fred ...Written by
Tommy Lee Jones was considered for the role of Frank Horrigan. In the same year "In The Line Of Fire" was released, Tommy Lee Jones played Secret Service Agent Samuel Gerard in "The Fugitive." Edit: Samuel Gerard is a Deputy United States Marshal See more »
When the agent is checking the pack of photos against guests arriving for the dinner, Mitch's photo is a single frame. He then looks at Mitch, doesn't recognize him, and shuffles the now two-frame photo to the bottom of the pack. See more »
[running late while driving in his car]
Oh, my God. Oh, my God. Oh, Frank, thank God. Thank God. I'm dead. I'm dead. I'm dead. I'm dead.
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An extension of the scene where Frank and Lilly are in the bar. He tells her that he once protected Fidel Castro. See more »
In The Line of Fire gives us a great game of cat and mouse. Clint Eastwood is plagued by John Malkovich in this riveting film. Malkovich says he's going to kill the president, and he purposely calls Eastwood, and pushes his buttons. He questions Eastwood's ability to protect someone. Malkovich brings a cold, but very intelligent mindset to his character. Everything he does, he does for a reason, and he's not shy about killing. Eastwood has to overcome the suspicions of his superiors in order to catch Malkovich, but no one wants to listen to him. The result is a film that crackles with suspense that escalates to a tense scene in a ballroom at the Bonneventure Hotel. Wolfgang Peterson ratchets up the tension and we feel every turn.
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