Intended as the concluding film in the trilogy on the modern history of Taiwan began with Beiqing Chengshi (1989), this film reveals the story through three levels: a film within a film as ... See full summary »
Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of ... See full summary »
In the first half of this century, young Li Tienlu joines a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers. During World War II the Japanese rulers of Taiwan use the traditional Chinese puppet theatre for their war propaganda. Only after the war street theatres start playing again.Written by
Otto Oberhauser <Oberhauser@cc.univie.ac.at>
Filial love is stronger than millennial traditions
Perhaps Asian movies there are considered slow. But inside this slow-motion film you can feel the intensity of the human emotions in every look.
The intensity of every shoot makes this movie an extraordinary experience for everybody.
The plot of the film is something more than a tribute of a losing tradition, the puppets art, is about the relationships between an old man an his adopted niece. How the affection between they could break absurd but ingrain traditions from hundreds of years ago.
The incredible sequences of puppets are only an addition in the incredible beauty of the Taiwanese landscape.The entire movie in general has a flavour that makes it tasty from start to finish.
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