Geronimo: An American Legend

Wow, where to start, I loved this movie, it's portrayal of Geronimo is complex and gives the viewer a different portrait than most westerns do. It's showing at the box office is regrettable, because it is probably one of the most honest portrayals of the travesty that was the Indian wars. This film showed how men of conscious we're asked to round up a tribe of people's who only wanted to remain free on lands they had held for over a thousand years, soldiers had to follow orders but for many the cost must have been terrible, especially when their words we're repeatedly broken by others under whom they served. But it was a different time and place with politics that few today would embrace. So much tragedy but at least this movie showed the military genius of Geronimo and allowed his name to shine for the future generations to see.

With its superb acting, writing and directing, this masterpiece by Walter Hill is unique, not only in the way it maintains its epic quality in the span of two hours, but in the strong chemistry between the two main characters. The majestic music and scenic photography combine perfectly to compliment the stunning performances of Wes Studi as Geronimo and the breath-taking Jason Patric as Lt. Charles Gatewood. The special friendship shared between the two grand, thoughtful men is the main interest that holds this film together, with Patric's performance being the most exceptional, amid a talented supporting cast of big names.

As a righteous officer and gentleman who remains loyal but unpoisoned by excessive patriotism, Gatewood is a tough but calming influence in the face of great danger, while displaying a maturity that bewilders his more primitive companion Al Sieber (Robert Duvall) who exclaims, "You don't love who you're fighting for and you don't hate who you're fighting against!" In this way, Gatewood is just as complex as he is likable, immediately gaining the trust and admiration of both his friends and enemies.

Whether he assumes the role of an ambassador with his deep eyes and charismatic presence or that of a soldier with his masterful horsemanship (performed by the actor himself), Jason Patric brings a special depth and beauty to Gatewood, making him one of the most impressive and under rated heroes ever captured on film. His presence alone makes this film a great classic, as well as a thought provoking treasure!

Brig. Gen. George Crook (Gene Hackman) leads a war on the Chiricahua to bring them to their reservation. Geronimo (Wes Studi) agrees to go in peace. Lt. Britton Davis (Matt Damon) is new from Texas. He accompanies Lt. Charles Gatewood (Jason Patric) to go bring Geronimo in. Gatewood befriends Geronimo. Al Sieber (Robert Duvall) is a scout with a proper hatred and respect for the enemy Apache. The army tries to stop a medicine man dancing and a violent incident results. Geronimo escapes the reservation with a group of Apache. That's when the Geronimo Campaign begins.

It's a historical drama without the overdramatization that normally accompanies westerns. There are no easy villains in this. The circumstances keep conspiring to force the groups to clash. There are great actors in this. Most impressive is Wes Studi. His presence makes Geronimo come alive.

As others have said, this is an excellent example of a revisionist Western, successful both as a 'quest' film and as history. Despite minor examples of the invariable desire of film-makers to embellish events (Al Sieber in fact died years later when a rock rolled on him while he was clearing a road) this is as close as you'll get to a historically and visually accurate movie account of the pursuit of Geronimo.

'Let's start with this: All written history is revisionist. The actual events are revisited and revised in the perspective of the "re-visitor." That said, this remarkably well written, well acted, and generally well executed movie is likely the best account of the "Geronimo Campaign" out there. Head and shoulders above much of the other junk out there about this important American figure. It is, to boot, beautifully filmed and deftly directed. And the narrative approach worked perfectly with this subject. Well worth a couple of viewing hours by anyone who sincerely wants to know what was up with all that.'