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Germinal (1993)

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In mid-nineteenth-century northern France, a coal mining town's workers are exploited by the mine's owner. One day, they decide to go on strike, and the authorities repress them.

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Vincent Maheu dit Bonnemort
Judith Henry ...
Jean-Roger Milo ...
...
...
Souvarine
...
Jean-Pierre Bisson ...
Rasseneur
...
Philippe Hennebeau
...
Madame Hennebeau
Gérard Croce ...
Maigrat
...
Paul Négrel
Annick Alane ...
Madame Grégoire
Pierre Lafont ...
Léon Grégoire
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Storyline

It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them. Written by Michel Rudoy <mdrc@hp9000a1.uam.mx>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for intense depiction of suffering and class conflict | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

31 March 1994 (USA)  »

Also Known As:

Germinal  »

Filming Locations:

 »

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Box Office

Budget:

FRF 164,000,000 (estimated)

Gross USA:

$378,854
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Finnish censorship visa # V-02591. See more »

Goofs

Near the end of the film, when Etienne and Catherine are looking for the way out of the mine, we see the shadows of the lamps on the right wall of the tunnel. It's to be supposed that the only light inside the mine came from the lamps. See more »

Quotes

Etienne Lantier: Capitalist tyranny is destroying us.
See more »

Connections

Version of Germinal (1963) See more »

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User Reviews

 
How in the world do you get out of exploitation by the rich?
10 October 1999 | by See all my reviews

"Germinal" is a vivid, colorful, eloquent rendering of how the life of mine workers was in Europe in late 19th century. It is also a powerful illustration of how a strike could come about in that time, and how difficult - almost hopeless - it could seem for those dirt-poor people to try and improve their miserable life conditions. Of course, the contrast with the bourgeoisie is striking and thought-provoking. Depardieu (as Maheu) is, as usual, a giant figure, and most other actors are also very convincing. One question that remains when you saw it all is : can you really change a society's deep, unfair structure without violence?


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