A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
On the day of his daughter's (Joey Singer) birthday, William "D-Fens" Foster (Michael Douglas) is trying to get to his estranged ex-wife's (Barbara Hershey) house to see his daughter. He has a breakdown and leaves his car in a traffic jam in Los Angeles and decides to walk. Along the way he stops at a convenience store and tries to get some change for a phone call but the owner, Mister Lee (Michael Paul Chan), does not give him change. This destabilizes William who then breaks apart the shop with a baseball bat and goes to an isolated place to drink a coke. Two gangsters (Agustin Rodriguez & Eddie Frias) threaten him and he reacts by hitting them with the bat. D-FENS continues walking and stops at a phone booth. The gangsters hunt him down with their gang and shoot at him but crash their car. William goes nuts and takes their gym bag with weapons proceeding in his journey of rage against injustice. Meanwhile Sergeant Martin Prendergast (Robert Duvall), who is working on his last day ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When D-FENS checks his watch at the Whammy Burger, it is 10:33, three minutes past when service cuts over from breakfast to lunch. However, as he looks/walks around, the restaurant is full of customers midway through their lunch food, despite it just becoming available three minutes ago. See more »
[lying on the floor after fighting with Foster]
Take the money.
You think I'm a thief? Oh, you see, I'm not the thief. I'm not the one charging 85 cents FOR A STINKING SODA! You're the thief! I'm just standing up for my rights as a consumer.
See more »
"London Bridge is Falling Down" plays briefly at the very end of the credits. See more »
It has been 26 years since this movie came out. I saw it finally yesterday after desiring to see it since it was first advertised on circuit all those years ago.
And what's my synopsis of this semi-vintage movie?...brilliant! So worth it! So much better than I ever imagined it could be! And not outdated at all!
I expected it would be a novel, fun, action-packed movie about a guy who's had enough; with something of a pointed statement/indictment against our modern urban society. And it is that...but also so much more!
This film is a masterpiece; it is beautiful and poignant art. There is not a scene or a shot or an utterance that is not absolutely intentional, loaded with depth and/or intrinsic to both the unfolding narrative and to its poetic depiction of humanity and the state of the world. It's a film that makes me feel robbed for having watched dozens of mindless one-dimensional action movies over these years. The writer (Ebbe Roe Smith), the director (Joel Shumacher), the awesome actors Douglas and Duvall and everyone involved with this production do not deserve a tinselly Oscar...they deserve a medal! And this movie deserves a shelf at the Louvre! And it most certainly deserves to be watched!
As for me, I will be grabbing my shovel and go tracing the seam of movies from these great artists in search for more undiscovered gold.
Last words: know that the language is not toned down and the very hard, very real issues that it deals with are weighty, so it's not for every audience or every occasion. But it couldn't have been any other way for being a look on real life. Phenomenal though that there is such hopefulness, joy, inspiration, overflowing humour and clever wit in this story. It is not at all a dark or depressing or ugly movie while it deals with matter in our society that is just that. It is like a great red wine that has the sweet and the bitter and the dry just perfectly balanced ... you take a sip, savour it and sigh out, in deep satisfaction!
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