This big hit at the Sundance Film Festival had audiences cheering. Set during the Ming Dynasty, this acclaimed production tells the story of a power hungry eunuch who employs an evil sect ... See full summary »
Basically a retread of the first movie, in which the evil Tree Spirit is back with yet another ghost played by Joey Wong. The Swordsman Yen and Leslie Cheung characters are replaced by a ... See full summary »
Tony Chiu-Wai Leung,
In this installment of a phenomenal saga of the super natural, four young people are caught in a tug-o-war of evil between an Imperial Wizard and a corrupt General. Outrageous special ... See full summary »
A parody of Louis Cha's novel The Eagle Shooting Heroes (thats the literal translation). Story begins with the Queen of Golden Wheel Kingdom had an affair with her cousin West Poison, and ... See full summary »
When a scroll containing valuable martial arts secrets is stolen from the Emperor, an army detachment is sent to recover it. Blademaster, a young martial arts expert, accidentally ends up ... See full summary »
With an entirely new set of actors, this movie continues the story from Swordsman (1990). Blademaster and his martial arts school decide to retire to a distant mountain. Before leaving, he ... See full summary »
During the Eastern Jin Dynasty, parents dress a pretty girl like a boy, so she may be educated in a local boarding school. There, she falls in love with a poor, but industrious young man. However, their short love affair ends in disaster.
A royal official accompanies a Portuguese warship to the Black Cliffs to see the site of the defeat of the evil Invincible Asia, who attained supernatural abilities by following the sacred ... See full summary »
A romantic Chinese New Year comedy about the three Shang brothers. Eldest brother Shang Moon is a philandering businessman who treats his hideous yet hard-working wife like dirt. Middle ... See full summary »
Raymond Bak-Ming Wong
The movie is set in chaotic 1920's China, when warlords fought each other for power while Sun Yat-Sen's underground movement tried to establish a democratic republic. The movie tells the ... See full summary »
Two snakes reformed into two beauties. White Snake chose pedagogue Xian Xu as her husband and enjoyed human life, while Green Snake played around every day. Jealous to White Snake, Green Snake kept on flirting with Xian Xu. Xian Xu eventually found they were snakes ... After being tempted by Green Snake, monk Fahai decided to imprison the two "monsters". He kidnapped Xian Xu. A battle began ... Just then, White Snake borned her new baby. What should monk Fahai do? Adapted from an old Chinese folk story but quite different from the original. Written by
Zheng Wang <firstname.lastname@example.org>
Tsui Hark is one of those director's that sort of polarizes his audience. You either go along with his loopy, unique directorial style or you get angry at him. Other directors like him are Sam Raimi and Takeshi Miike. They all go where their muse takes them regardless of where the movie is at the moment.
The film tells the story of two giant magical snakes who decide to experience human emotional life. We first encounter them while a super powered Buddhist is searching for evil spirits to destroy. He starts to attack them but relents when he discovers that the snakes are sheltering a pregnant woman in labor from a torrential downpour. The snakes enter the local town and one, White Snake, chances upon a bureaucrat who catches her fancy. The two transform into human form, create a mansion by spell and lure the bureaucrat there. White Snake falls in love with the man, marrying him, while Green Snake, her sister, has problems understanding the human emotions her sister is so capable of enjoying. Green is also having a hard time hiding her true snake self from her sister's husband. It gets complicated with the monk entering the picture once again with bad consequences for all.
First of all, this is a story that fully compliments Hark's style. Unlike other films of his that I felt were compromised by his experiments and vaudeville style, here it almost all works wonderfully. The fantastic characters and action of Chinese mythology are colorfully illustrated here. The art direction and photography is excellent as well. Music score is great.
I felt the film was a commentary on religious rigidity but clearly this production has many meanings to different viewers. That's a sign of a good movie. Recommended.
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