In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
A Puerto Rican ex-con pledges to stay away from his former drug dealing ways but finds himself being dragged back by his past connections and the naive machinations of his lawyer and best friend. Hoping to raise enough money to get away from New York, Carlito Brigante takes on the job of running a nightclub, renews an affair with a dancer but old associates and old instincts suck him back into a world of violence and mistrust.Written by
Keith Loh <email@example.com>
None of the songs being played while Carlito is in Gail's club ("You Should Be Dancing", "Got to Be Real" and "I'm Your Boogie Man") had been released in 1975, when this movie takes place. See more »
Somebody's pulling me close to the ground... I can sense, but I can't see. I ain't panicked. I've been here before. Same as I got popped on 104th street. Don't take me to no hospital, please. Fuckin' emergency rooms don't save nobody. Sons of bitches pop you at midnight, when all they got is a Chinese intern, with a dull spoon. Oh look at these suckers. Scrambling around... What for? My Puerto Rican ass ain't supposed to have made it this far. Most of my crew got washed a long time...
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This has to be one of the most unfairly underrated film in movie history. It's a perfect film, and much better than any other De Palma film (I am a big fan of De Palma but this film is just perfect). Ex-drug dealer Carlito Brigante, recently released from prison, tries to live a decent live while dealing with the ever present temptations of going back to it's old one (mostly from his friends, who aren't very happy with the idea of Carlito becoming a decent citizen). He is always accompanied by his best friend and lawyer David Kleinfeld, who is a coke addicted and increasingly paranoid lawyer with dubious connections in the mob world. As you can see, with friends like these it would be a hard job for Carlito to abandon his old life. However he finds strength and inspiration to continue his efforts of cleaning his act by reuniting with his old love (from before he went to jail) Gail. This story is a perfect thriller whose structure and development feels a lot like a Greek tragedy reinterpreted as a film noir. There are few action sequences, but the dialog is so perfect that you just want to know more and more about the characters. The few action sequences are beautifully filmed, and i assure you: you will not be disappointed, they will keep you on the edge of your seat. The performances are great, Pacino gives a great Humphrey Bogart-like performance as the ex-con always tormented by his past (the narration is also great, it clearly shows us how Carlito is feeling, and how i think an ex-con would think trying to clean his act with temptations in every corner). Sean Penn gives an academy award worthy performance by giving a believable approach to Carlito's increasingly drug addicted, paranoid and even homicidal lawyer. The beautiful Penelope Ann Miller gives us a wonderful performance as Carlito's only positive influence and inspiration in his life (I think this performance should have established her as strong leading lady, but as i said, this movie doesn't have even half of the recognition it deserves). All in all, Is a great movie, and personally, one of my all time favorites (if not favorite). Great Performances, Perfect Film.
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