Two FBI agents attempt to clarify the murders occurring in a desolate region. They approach the witnesses of the latest incident with the help of the local police. All of them hide something and all have wildly different stories to tell.
Bob, a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.
Two American girls in Italy are drugged and raped by an evil magician and his twin brother who suffer from a curse that turns them into beastmen each day. One of the girls falls for the good twin and decides to help him break the curse.
A top surgeon is besotted with a beautiful woman who once ditched him. Unable to come to terms with life without her, he tries to convince her that they need each other. She has other ideas, but an horrific accident leaves her at his mercy. The plot is bizarre and perhaps sick at times, ending abruptly and with a twist.Written by
Film critic Barry Norman commented that Helena seemed to accept her fate far too peacefully. See more »
When Nick Cavanaugh is on the phone in a telephone box, the camera spins around the box. The reflection on all four sides of the phone box is identical indicating that the phone box is surrounded on all four sides by the same building with the same neon light. See more »
"Boxing Helena" was originally rated "NC-17" by the MPAA. The DVD contains 1 minute of sexually explicit footage that had to be cut for the "R" rating. The cut footage in the UNRATED DVD version is as follows:
When Nick fantasizes about Helena and Ray having sex we see a shot of most of Helena's butt in her thong underwear; Helena removing Ray's pants where we see part of his bare butt; Ray kissing up Helena's body where we see one of her breasts; and finally one last shot that shows Helena's breasts very briefly.
During Nick's sex scene with the fantasy woman while Helena watches, extra footage includes a scene with Nick behind the woman, then a shot of him thrusting into her, followed by several views of the woman's bare breasts.
My recommendation is to ignore the negative comments and see it for yourself. Ignore the artsy-fartsy crowd whose dislike, one feels, has more to do with the bad press and criticism by the liberal crowd than it has to do with the film's actual merits.
I make no pretence to artsy film credentials, and I'm not a big fan of David Lynch, though v enjoy most of his work, bizarre as it is. However, I think his daughter did a respectable job, especially for the first time out. Some of the symbolism was a bit obvious, but I suspect that made the symbolism more accessible to the average viewer and not just the snooty film buffs. As far as the inconsistencies the critics love to point out -- big deal. The whole "Rosebud" schtick in Citizen Kane was ludicrous and silly, but let's at least allow the same literary license to others.
I thought Sands and Fenn did superb jobs, and I thought the direction and music was far better than average. I enjoyed the movie enough to see it three times so far, and my opinion hasn't changed. I also believe the "trick ending" was essential to the movie and not just some shabby trick. Without it, it's just a gross slasher film and not a think-piece. There's a lot of unpleasant truth about male-female relationships in this film, and Lynch brought it out very well.
22 of 37 people found this review helpful.
Was this review helpful to you?
| Report this