Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
Juan Zaplana Ramirez
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
German-American Dieter Dengler discusses his service as a U.S. naval pilot in the Viet Nam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Viet Cong, recreating many events for the camera.
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog ... See full summary »
Sorry but as a Russian I can't perceive this seriously. With all my respect to Herzog it's NOT a true depiction of Russian faith and superstitions but rather a Borat-like comedy disguised as a highly objective and free from personal opinions documentary report.
If this movie has made you think that people like notorious exorcist Wisard Vasilyev, self-declared messiah Vissarion etc. are of any importance for the general Russian public then, well, you ought to consider imaginary movie called e.g. "Faith and superstitions in US" shot with a camera which thoughtfully dwells on ceremonies by Rev. Sun Myung Moon and Charles Manson.
Extremely tendentious and pretentious "Bells from Deep" can't be recommended to anybody except Russians: in their eyes it definitely deserves 10/10 for campiness (and BTW poses a question about relevance of other Herzog's ethnographic movies).
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