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The Baby of Mâcon (1993)

A movie about the corruption in all levels of society. A baby is born from a supposed-to-be virgin woman, so a chain of hysteria about divine intervention in the birth takes place.

Director:

Peter Greenaway

Writer:

Peter Greenaway
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1 win & 2 nominations. See more awards »

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This is a TV adaptation of a 1993 opera entitled "Rosa," with a libretto by Greenaway and score by Louis Andriessen. "Rosa" is the first in a projected series of 10 operas, each dealing ... See full summary »

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Cast

Cast overview, first billed only:
Julia Ormond ... The Daughter
Ralph Fiennes ... The Bishop's Son
Philip Stone ... The Bishop
Jonathan Lacey Jonathan Lacey ... Cosimo Medici
Don Henderson ... The Father Confessor
Celia Gregory Celia Gregory ... The Mother Superior
Jeff Nuttall Jeff Nuttall ... The Major Domo
Jessica Hynes ... The First Midwife (as Jessica Stevenson)
Kathryn Hunter ... The Second Midwife
Gabrielle Reidy Gabrielle Reidy ... The Third Midwife
Frank Egerton Frank Egerton ... The Prompter
Phelim McDermott Phelim McDermott ... The First Tutor
Tony Vogel ... The Father
Tatiana Strauss Tatiana Strauss ... The First Nun
Louisa Milwood-Haigh Louisa Milwood-Haigh ... The Second Nun
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Storyline

A movie about the corruption in all levels of society. A baby is born from a supposed-to-be virgin woman, so a chain of hysteria about divine intervention in the birth takes place. Written by Carlos Morales <bmunoz@mail.sci.net.mx>

Plot Summary | Add Synopsis

Genres:

Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Netherlands | France | UK | Germany

Language:

English

Release Date:

17 September 1993 (UK) See more »

Also Known As:

A maconi gyermek See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

North American distributors refused to take the film in due its controversial subject matter. As a result, The Baby of Mâcon (1993) is officially unavailable in any format in the US. See more »

Connections

Follows Prospero's Books (1991) See more »

Soundtracks

Magnificat in D major, BWV 243 - Suscepit Israel
Composed by Johann Sebastian Bach
Performed by 'The Vrowen Macon Koor'
See more »

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User Reviews

 
Possibly the most shocking film ever!
15 August 2002 | by ALETT1984See all my reviews

I first made Peter Greenaway my "acquaintance" through "Prospero's Books," an equally beautiful and equally compelling film. I have also seen some minor pictures of his, like "The Belly of an Architect" and "Drowning by Numbers" which cannot really live up to the image of "The Baby of Macon." Personally, I believe it is Greenaway's best. It is a play, a performance, where shape-shifting is as spontaneous as breathing, indicating that the world is, at it were, a theater, and we the people are merely actors. "The Baby of Macon" is the tale of the exploitation of a child for profit. A beautiful healthy son is born into a poor family, in a time of plague and bareness, in the old Gothic city of Macon. The child is seen as a mere toy, an opportunity for gain, both by his unnamed sister (so beautifully played by Julia Ormond) and the Church. The sacred Child, identified with Christ, brings riches and prosperity and fruitfulness unto the wretched crowds who live in Macon. But his sister's over-weening ambitiousness and the Church's avarice worsen the matters. The Child is immolated and all is lost. The masque is shown on stage in a doric playhouse in 1650 AD, before the viewers whose desire for pious histrionics is forceful. In due time you cannot possibly tell whether this play is acted or merely actual. You cannot tell whether or not you are in a playhouse or in a Cathedral, or whether this wondrous baby represents an earlier Miracle, born by Virgin Birth in a Nativity in the presence of ox and ass. At the play's apogee you cannot be sure who are the players and who are the viewers. This is Peter Greenaway's most shocking film, a somber "miracle-play" of wonders, semi-wonders, and would-be wonders conceived in an epoch of veritable godliness, but performed in a Baroque era of Religiousness when the fancy is starving for various feelings.


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