A Pulitzer prize writer buys a cabin. The neighbors get suspicious when a stranger "breaks in". They see a black man and call the police, who start shooting at him. The sheriff tries a cover-up involving a white petty crook. Bad idea.
1936, Italian army is invading Ethiopia. Lieutenant Silvestri suffering toothache decides to reach the nearest camp hospital. But the lorry has an accident and stop near a rock, so ... See full summary »
Thierry's wife Zandalee married the poet, he once was. Taking over his dad's company in New Orleans gives him stress and impotence. Thierry meets his high school buddy Johnny at a bachelor party. The painter Johnny can satisfy Zandalee.
When Andrew Sterling, a successful black urbanite writer buys a vacation house on a resort in New England the police mistake him for a burglar. After surrounding his house with armed men, Chief Tolliver realizes his mistake, and to avoid the bad publicity offers a thief in his jail, Amos Odell a deal. Amos is to pretend to take Andrew prisoner and hold him for ransom, but let him go and escape. Amos and Andrew suddenly realize that the Chief's problems are all gone if the two of them both die in a gun battle. The worst partnership in film history then tries to get away from the local police.Written by
John Vogel <email@example.com>
One of the locations used was the town of Southport, North Carolina. See more »
Lenses in the Chief of Police's glasses during his interview after escaping from the house. See more »
It was an honest mistake.
It was supposed to be different. It was supposed to be the kind of place where you don't lock your doors at night, where you don't count your change at the grocery store, where a man in his own home doesn't have to worry about being shot at and nearly killed by the local police simple because he's black!
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After the credits, there is a scene of Bloodhound Bob and all the dogs chasing each other. See more »
One of the most underrated, overlooked comedies of the 1990s
One of the most underrated, overlooked comedies of the 1990s, and a social satire that DOES work, Maltin's faulty opinion to the contrary. Cage is brilliant, as is Bob Balaban. Writer/director E. Max Frye deserved much better reception for this sharp, smart piece of work. Unfortunately, the film's ending was apparently re-worked, to the satisfaction of almost no one on the creative team.
Coincidentally, the angry mob torch scene in this movie was shot practically the same time the 'Rodney King' riots unfolded 3000 miles away in LA.
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