7.2/10
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The Age of Innocence (1993)

PG | | Drama, Romance | 1 October 1993 (USA)
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A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.

Director:

Martin Scorsese

Writers:

Edith Wharton (novel), Jay Cocks (screenplay) | 1 more credit »
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Popularity
3,157 ( 61)
Won 1 Oscar. Another 14 wins & 32 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Day-Lewis ... Newland Archer
Michelle Pfeiffer ... Ellen Olenska
Winona Ryder ... May Welland
Linda Faye Farkas Linda Faye Farkas ... Female Opera Singer
Michael Rees Davis Michael Rees Davis ... Male Opera Singer
Terry Cook Terry Cook ... Male Opera Singer
Jon Garrison Jon Garrison ... Male Opera Singer
Richard E. Grant ... Larry Lefferts
Alec McCowen ... Sillerton Jackson
Geraldine Chaplin ... Mrs. Welland
Mary Beth Hurt ... Regina Beaufort
Stuart Wilson ... Julius Beaufort
Howard Erskine Howard Erskine ... Beaufort Guest
John McLoughlin John McLoughlin ... Party Guest
Christopher Nilsson Christopher Nilsson ... Party Guest
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Storyline

Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a kindred spirit and they fall in love. Written by Marg Baskin <marg@asd.raytheon.ca>

Plot Summary | Add Synopsis

Taglines:

In a world of tradition. In an age of innocence. They dared to break the rules.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for thematic elements and some mild language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian

Release Date:

1 October 1993 (USA) See more »

Also Known As:

La edad de la inocencia See more »

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Box Office

Budget:

$30,000,000 (estimated)

Gross USA:

$32,200,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo | SDDS (8 channels)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

At the end of the opera scene (shot at the Academy of Music in Philadelphia) there is an exterior shot of the building. Reflected in the glass doors of the opera house is a neon parking garage sign. To be accurate, neon wasn't even discovered until 1898. See more »

Quotes

The Narrator: The burden of her flesh had made it long since impossible to go up and down stairs. So, with characteristic independence, she had established herself on the ground floor of her house. From a sitting room, there was an unexpected vista of her bedroom. Her visitors were startled and fascinated by the foreignness of this arrangement - which recalled scenes in French fiction. This was how women with lovers lived in the wicked old societies.
See more »

Crazy Credits

The Columbia logo turns sepia to look like a 19th-century photograph. See more »

Connections

Referenced in Siskel & Ebert: The Getaway/Blank Check/My Girl 2 (1994) See more »

Soundtracks

Radetzky March
Written by Johann Strauss Sr.
Performed by The Rundfunk Sinfonieorchester Berlin
Courtesy of PolyGram Special Markets
See more »

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User Reviews

A FILM FOR THE MOST REFINED
7 February 2003 | by SmartcatSee all my reviews

Don't get put off by those telling you to give a miss to this film. They belong to the school, insufferable to the true cinema lover and to those of any taste in general, who expects "something to happen" in a film and feel cheated at the end if they haven't had to scramble through an intricate plot, haven't seen the mandatory pound of spilled blood and the round of gunshots. Scorsese is at his most brilliant in this film; it is all the more exquisite as it does not rely on an overloaded plot but prefers to be constructed of lights and half lights, shades and nuances. All the more appropriate as this is exactly what Scorsese wants us to see in the world of end of XIX th century New York- a society brimming with peace and innocence in which nothing appears to ever happen but under the surface of which gossip and intrigue work relentlessly and destinies are decided over the small talk of the dinner table. Accompanied by an impecable narrative voice and an unforgettable richness of color and music it will haunt you forever. Those it sends to sleep do not deserve to be awake. Ten out of ten!


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