A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The stable wormhole discovered by the Deep Space Nine crew is known to the Bajoran people as the Celestial Temple of their Prophets. Sisko, as discoverer of the wormhole and its inhabitants, is therefore the Emissary of Bajoran prophesy. The wormhole's other end is in the Gamma Quadrant, halfway around the galaxy from Bajor. That section of space is dominated by the malevolent Dominion. The Dominion is led by the Changelings, the race of shapeshifters to which Odo belongs. As of the beginning of the sixth season, Cardassia has joined the Dominion, and together they are waging war on the Federation and their Klingon allies. The war is quickly becoming the most costly war ever for the Federation, and the Deep Space Nine crew must fight to protect their way of life.Written by
Matthew D. Wilson <email@example.com>
After Avery Brooks was cast as Commander Sisko, producers maintained a color blind approach to casting Jake. See more »
During the opening title sequence, the wormhole is shown at inconsistent angles to how it looks as the crew observe it from the station's windows. In the title sequence, the wormhole is angled upward at approximately a 40° angle. When the crew observes it from the station, it's pointed down at about a 260° angle. However, it must be remembered not only is there no "up" or "down" in space, but also that the DS9 station is mobile. It is transportable via thrusters and so can be repositioned at any angle around the wormhole by the crew for whatever purpose they see fit. See more »
[to an alien, Ee'Char while imagining they're in an alien prison]
I'm sick of it! I'm sick of this place! I'm sick of your drawings, and most of all, I am sick of you!
See more »
The opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole. See more »
Several episodes were originally shown as 2-hour movies. They were later edited into two-part 60 minute episodes for later airings. See more »
DS9 is one of my all-time favorite television shows. It edges out Star Trek's original series just barely as my favorite in the franchise. I am not going to state that it's the best Star Trek series, because it definitely will not appeal to everybody, but it is my favorite.
DS9 deviates from the Trek franchise formula in an important way - it is based on one location - a Cardassian-built space station near the planet Bejor. So even the architecture of the main set is alien - not another sterile militaristic star ship inhabited by a primarily white European crew - but a true Babel. Bejor has just been liberated from 60 years of occupation by an expansionist militaristic race - the Cardassians. Both Bejorans and Cardassians will play important roles throughout DS9. Since the station does not move much during the show's seven year run, DS9 has a much stronger sense of place than the other ST series, and is able to develop story arc and character continuity much more powerfully than the others.
All of the major characters and most of the frequent returning characters have their own interwoven story arcs - most of which span the entire series. Ben Sisko (Avery Brooks), the station's commander, is a somewhat disgruntled Star Fleet officer who has several personal vendettas which have almost driven him from Star Fleet. He is also a single parent and a genius. In the very first episode, Sisko's arc begins and it is clear that his story will be the frame within which the entire series is organized - though the reasons for this will no become entirely clear until near the end. Also memorable are the gruff, shape-shifting Chief Constable Odo(Rene Auberjunois) who does not know what he is and where he came from; Kira (Nana Visitor) Sisko's aggressive and intense Bajoran second officer; Garak (Andy Robinson) a Cardassian Tailor and - possibly - spy, who is easily the most well-developed, well-acted and interesting recurring guest star Star Trek has ever had; Jadzia Dax (Terry Farrell) - the beautiful Trill science officer whose consciousness is enhanced by the memories and personality of a 600 year old symbiotic slug who lives in her stomach and has inhabited dozens of previous hosts; Julian Bashir (Alex Siddig) - the station's young, brilliant, adventurous and naive doctor; and Quark (Armin Shimmerman), the greedy, conniving, but entirely lovable Ferengi casino owner.
The characters, cast, and serialized stories make DS9 stand apart from the franchise as the most powerfully plotted, intensely dramatic and politically charged Star Trek ever. The show is, however, not for those with limited attention spans and a disdain for complexity. While it isn't exactly hard to follow, the dialog is often dense and DS9 - more than any other Trek show - uses non-verbal communication very well. Brooks, Visitor and Robinson - all of whom are masters at this - are particularly non-verbal and make a big impression from the first few episodes.
Throughout the series, there are constant underlying political intrigues and surprisingly little filler. Almost every story connects with the main story arc (Sisko's and Bejor's) in one way or another, and no time is wasted with aimless experimentation by the writing team (a problem Voyager and Enterprise both suffered from).
The production is consistently theatrical in scope. The special effects are still - even today - above average for television, and even the new BSG doesn't approach the scope and coherence of the plot.
Highly recommended for bright people looking for something more than typical TV drama normally delivers.
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