A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The stable wormhole discovered by the Deep Space Nine crew is known to the Bajoran people as the Celestial Temple of their Prophets. Sisko, as discoverer of the wormhole and its inhabitants, is therefore the Emissary of Bajoran prophesy. The wormhole's other end is in the Gamma Quadrant, halfway around the galaxy from Bajor. That section of space is dominated by the malevolent Dominion. The Dominion is led by the Changelings, the race of shapeshifters to which Odo belongs. As of the beginning of the sixth season, Cardassia has joined the Dominion, and together they are waging war on the Federation and their Klingon allies. The war is quickly becoming the most costly war ever for the Federation, and the Deep Space Nine crew must fight to protect their way of life.Written by
Matthew D. Wilson <email@example.com>
Jeffrey Combs has the distinction of portraying eight different characters on various Star Trek series. He played the roles of Brunt, Weyoun, Shran, Tiron, Kevin Mulkahey, Penk, Krem, and a holosuite guest. He is one of only five actors to play seven or more different characters in the Star Trek franchise, the others being Randy Oglesby, J.G. Hertzler, Vaughn Armstrong, and Thomas Kopache. Coincidentally, Combs has appeared on Star Trek with all four of those actors. See more »
During the opening title sequence, the wormhole is shown at inconsistent angles to how it looks as the crew observe it from the station's windows. In the title sequence, the wormhole is angled upward at approximately a 40° angle. When the crew observes it from the station, it's pointed down at about a 260° angle. However, it must be remembered not only is there no "up" or "down" in space, but also that the DS9 station is mobile. It is transportable via thrusters and so can be repositioned at any angle around the wormhole by the crew for whatever purpose they see fit. See more »
[Quark's developed a conscience after living among humans for so long]
Its been coming for a long time. I've fought against it. I really have! But living with those people, day in and day out... being exposed to their ethics... their morality... it's like I've been brainwashed!
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The opening credits for "Emissary" lacked the wormhole opening that all future episodes featured. Starting with Season 4, the opening credits included additional spacecraft and activity around the station, including the Defiant flying into the wormhole. See more »
Several episodes were originally shown as 2-hour movies. They were later edited into two-part 60 minute episodes for later airings. See more »
I remember reading in a plane that there was going to be a new Star Trek Series based on a space station to premiere in January 1993. I had always found the idea of Star Trek very appealing and enjoyed a few movies and original episodes now and then. At that time, I had never really got into The Next Generation which my family and friends seemed to love, but I figured I would at least give this new show a try. As I eventually sat there with my little brother and watched the two-hour pilot, little did I know that this would change my life for the next seven years, as I would have to plan my weekends so that I could catch every new episodes on Saturday nights like football fans' semi-sacred Sunday afternoons.
So why did I fall in love with the show? Why indeed do we fall in love? Well, there is always a part of the answer linked to resonance; something that stirs something strong and positive within you. The show is a whole package of powerful television and one of the best gifts I ever bough myself was the complete seven seasons in DVD. Now, besides the intangible, the 'magic' that comes from many elements like the beautiful mind that arises from firing neurons, here is why this television series is not only a great science-fiction experience, but ranks among the best television series of all time in my humble opinion.
A) The Characters
At the base of it all, the show's strength is with its interesting, conflicted and complex characters. Both the writers and actors bring life to characters that will invade your living room and your head, maybe your heart. The relationships they create on the busy space station are sure to keep you thinking, laughing or crying with them. They are very endearing and perfectly heroic and flawed. You get to know each and every one of them in a deep real-life-like layered way. You also get to see them progress and stay the same, throughout the journey.
Beyond the friendship-like familiarity that will awaken in you the characters of Odo, Quark, Jadzia, Worf, Ezri, Kira, Julian, Miles and the Siskos, the guest characters are developed in an astonishingly similar depth. Again the writers and actors pull their heart out to create the most memorable recurring characters that feel as much part of the show as the regulars. Garak, Dukat, Rom, Nog, Leeta, Vic, Martok, Gowron, Wynn and Weyoun— to name a few—are as complex as alien DNA. It is like having a basketball team with superstars on the bench to support the starting five when needed.
B) The Story
Set on a space station —and the major critic and setback for most Trekkers that prefer an exploring ship a la Enterprise—the story is far from static. In fact, with the Star Trek fashion of exploring current human questions and themes in this futuristic backdrop, DS9 will explore everything from religion, war, death, slavery, genetic engineering, homosexuality (first homosexual kiss on TV!), geniuses, heroes, rebels, politics, commerce, racism, multiple personalities, memories, continuity, resurrection, time, peace, love, parenthood, marriage, espionage, mass murders, prison, biological warfare, terrorism, to the military and martyrdom. All that and more is explored in a thoughtful, meaningful way and kudos to the show for not only exploring them, but for remaining in the interesting gray area. There is nothing black and white. Everything (and I mean everything) is questionable and an opportunity for thoughts and discussion.
The story is a balancing act between mundane nuances of life and epic goals, dreams and actions. If it is not a problem with Sisko's son at the space station school, it is the discovery of a new technology, the casual friendship of Miles and Julian, the encounter with a new race that may threaten the existence of the half the galaxy, Odo's existential crisis or the possible assassination of a prominent political or religious figure. All this is so well woven together and each has its importance in the smaller and grandeur scheme of things to make this fabricated Universe feel complete and utterly real and engaging.
C) The People
The writers, directors, cast and crew were without a doubt dedicated to make this thing work and it shows in the most obvious and subtle ways throughout the series. Actors will take the director chair on occasion to direct their colleagues or sit down with the writing team to discuss character development. Special effects, sets, costumes and make-up artists make crucial contributions to make the alien-filled universe seem believable. The passion that exists behind and in front of the camera is palpable and welcomed. You really feel that the whole production team has a common dream in bringing this labor of love to the viewer week after week. The consistent quality of the show over years (170+ episodes) from "Emissary" to "What You Leave Behind" is a testament to this desire to give more to the audience and create something to be proud of. Well, Ira et al, a sincere thank you and a hat-tipping bravo.
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