In the early 21st century, mankind has colonized the oceans. The United Earth Oceans Organization enlists Captain Nathan Bridger and the submarine seaQuest DSV to keep the peace and explore the last frontier on Earth.
A reactor accident sends seaQuest back in time to an alternate 1962, where the Cuban Missile Crisis turned to nuclear war. The only chance to put things right again is to travel further back in time ...
By the mid-21st Century, humankind has colonized the oceans and formed the UEO--the United Earth Oceans--as a military organization to police it. Formerly a high-ranking member of the UEO, Nathan Bridger retired after the death of his wife, and retreated to an isolated island to study dolphins. An attempt is made to hijack the Seaquest DSV, the UEO's most powerful undersea vessel, and Nathan--its original designer--is convinced to return to active service, to assume command of it. His second in command is Cmdr. Jonathan Ford. In second season, the DSV added Dagwood, a prototype GELF (Genetically Engineered Life Form), Tony Piccolo, a man with surgically implanted gills, and Dr. Wendy Smith, a telepath/empath, to its crew of specialists. The series has New Age leanings, often presenting stories that deal with environmental issues or mix myth and mysticism--from ghosts to "gods"--into its science fiction. Written by
Marg Baskin <email@example.com>
Brief profiles of sea-life conservation programs and efforts were shown during the closing credits of the first two seasons. 'Bob Ballard (I)' , the show's scientific advisor, narrated the first season segments; during the second year, cast members did the narration. See more »
Should be a phrase ingrained in the minds of every would-be hollywood director/producer, especially after what Harrisburg and Co. did to SeaQuest DSV; which was (in my opinion) one of the best tv shows ever due to its original concept of exploring the oceans, rescue missions, and minor international conflict displayed in the first season.
But why oh why did the producers feel the need to change the set up from science fact to silly science fiction upon season two? Did it have something to do with the end of Star Trek: TNG and the producers wanting to fill its shoes? Perhaps... but I'm sorry, the sci-fi concept did not work for Seaquest and the ratings (or lack there of) proved that!
I did have to commend the producers for trying to make a come back in the third season with science "fact" and continuity, but the stories weren't all that good and the casting of Cap. Hudson was one of the series ultimate down-falls. On the other hand, had Bridger remained at the helm the series would've at least survived the whole third season (my speculation). Thankfully SeaQuest has home on the Sci-Fi channel.. as long as they stop rescheduling it back an hour!
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