Frank Lambert is a construction worker and a single father of 3 kids: J.T., Alicia "Al", and Brendan. Carol Foster, a beautician, also has 3 children: Dana, Karen, and Mark. After Frank and... See full summary »
After a Jewish, high-voiced, woman from Flushing gets fired from her job and dumped by her boyfriend, Fran is mistaken as applying for a nanny for a widowed man with three children when she is stuck selling cosmetics in Manhattan. As she spends years there, she becomes great friends with the butler, Niles, and the three kids. She is good friends with the widowed man, and some romance sparks through the years.
After cancellation of her sitcom Princesses (1991), Fran Drescher flew to Europe to meet her former co-star Twiggy. On her flight to London, she coincidently sat next to CBS Executive Jeff Sagansky and talked him into a development meeting upon her return to Los Angeles. Subsequently meeting Twiggy and her children in London, Drescher came up with the idea of The Nanny (1993), and pitched it later to Sagansky, convincing him to produce it. See more »
The bedroom arrangement constantly changes. You can see them use the bedroom near Maxwell's room for all three kids through out the series. You can even see Brighton going into Maxwell's room when being told to go into his own. See more »
[after accidentally baby-napping a child]
I wonder if I'll ever really be a mother?
Well, there's always the subway.
No way. Forget it. The next time I bring home a baby it's gonna be after nine months of swollen ankles and an epidural that could bring down Secretariat.
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I thought the "there's something delightful about poking fun at being Jewish" was at the center of Fran's charm. You couldn't help but love her every step of the way.
Probably the best aspect of this series was that as a comedy, other series take themselves so seriously.
Not with Fran Drescher's THE NANNY. Fran knew exactly how far to push her lovable kitschy style and always kept it in check with her timing and sexy panache. The show concluded at the right time in the course of the series. By golly, you've got to give them credit for knowing when to stop. So many shows are run into the ground and the endings are hastily wrapped up. Not so with this program. The last episode was warmly sad for we devoted fans of this show. But it was done just right...just when you thought the time for the credits was approaching...through tears in your eyes....came out Grandma.
There were several characters which have been mentioned before in other reviews; all of which I loved...but by far the best was ANN GUILBERT as the grandmother. Her comic timing, her gentle way with her character, her facial expressions were so priceless reminds me now of how my own mother is advancing in her years. It is disappointing that she was not nominated for an Emmy for this series. Perhaps her part was not large enough. But oh, what she did with those precious minutes. It harkens back to those wonderful days when she was Millie Helper, Rob and Laura Petrie's quirky and nosy neighbor on the Dick Van Dyke Show. What a talent this women has given us!
Thank you, Ann....and thank you, Fran for choosing her to play this part. You are still sorely missed one and all. Thank goodness for syndication!
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