Television sitcom about a recovering alcoholic who becomes the manager of a big city bus station. The tragicomic theme of the show is perhaps summed up best by an old carnival sign that now...
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A struggling, middle-aged actress attempts to make a career in Hollywood, all while surrounded by her hard-drinking best friend Maryann, her two ex-husbands, Ira and Jeff, and her two daughters, headstrong Zoey and agreeable Rachel.
Hayden Fox is the head coach of a university football team, and eats, sleeps and lives football. His partner, however, does not share his passion for the sport, which frequently causes ... See full summary »
Craig T. Nelson,
Jerry Van Dyke,
Dave Barry, a Pulitzer prize winning columnist is dealing with his life in the suburbs together with his wife and two sons. Also starring in the series are Dave's amazingly stupid next door... See full summary »
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.
Television sitcom about a recovering alcoholic who becomes the manager of a big city bus station. The tragicomic theme of the show is perhaps summed up best by an old carnival sign that now hangs in his office, 'This is a Dark Ride.'Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The original working title of the series was "Crossroads" but NBC insisted on "The John Larroquette Show". Larroquette did not want his name in the title. See more »
[a gang member is offering John a service]
For a certain price the Iceman can provide you with... protection
Really? How much to have you provide... ice?
Now listen, man
No! You listen! I have a party in two hours and I need a thousand cubes and a couple of blocks. Can you help me or not?
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Sometimes when I think of "The John Larroquette Show", it depresses me. It depresses me because a hundred years from now, when critics talk about "television of the 1990's", it is such a shame that they will talk bout shows like "Friends", "Seinfeld", and all of their imitators, and that this brilliant, darkly hilarious and inventive masterpiece will go virtually unnoticed. I won't say that this show was ahead of it's time, because no show has dared venture into these waters, neither before or since. This was probably the bravest situation comedy ever to go on the air. Where shows like "Friends" wanted us to sympathize with people who, even at their very worst, were far better off than anybody watching could possibly be, this show went the other way, showing us people who were no doubt worse off than most, yet still finding a way to laugh and embrace their lots in life, which made our laughter actually MEAN something. The Friends characters were gorgeous on the outside, callous and shallow on the inside. The characters here were ugly on the outside, and absolutely glowing on the inside, and the perfect combination of writing and acting brought that out. There is one episode that personifies this notion perfectly: An abandoned baby is found in a dumpster. (name another sitcom that would dare to find the humor in this). The seedy people in the seedy St. Louis bus station take turns watching it. There is one scene that is so true, and so real, and so heartwarming. The janitor Heavy Gene (played by Chi McBride), sits alone in the bar with the baby in his arms, as he gently sings Danny Boyto the child. The scene has nothing to do with any kind of narrative, and it doesn't push the plot of the episode in any specific direction. It's just a moment, that's all it is. A moment that gives the audience a microscope into the soul of a character that would never exist in any other sitcom, other than to be ridiculed or used for comic relief. The John Larroquette Show is filled with moments like this. We get to laugh and cry with an alcoholic, a hooker, a hobo, a janitor, a food-counter owner, a single Latino secretary, and others. We feel their pain without them asking us to. We feel their pain by laughing with them. None of them are stupid, or ditsy, or manipulative. They are just real. In it's second season, this show turned into what it so daringly avoided in it's first season, and became "Cheers" in a bus station. But the first season, quite frankly, is the best full season of television I have ever seen. I hope someone digs up the masters of this show and makes it available to be seen again. So much can be learned about life, and television, from this absolutely beautiful show.
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