Three-part mini-series set during three different eras in a single room of an odd hotel where employees never age. Every story has a slight twist to it, but the stories are mostly dialogue-heavy psychological or relationship dramas.
The performer of Twin Peaks theme Julee Cruise's experimental concert film, which opens with a short intro where a man breaks up with his girl over the phone, which devastates her. The concert is set in her nightmarish subconscious mind.
A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that seems to come from nowhere. The security guards that search ... See full summary »
The lives of several people spanning from 1936 to 1993 are chronicled during their overnight stay at a New York City hotel room. The hotel room undergoes minor changes through the century, but the employees of the hotel remain unchanged, never aging.Written by
The first part of Hotel Room is complete perfection. The first time I viewed this piece I knew I had just witnessed something amazing, but like many other of Lynch's pieces it would require a second viewing. It has been two years and I have watched the first part over 50 times. I have showed this film to about 40 people. Thirty of them get it, ten are baffled. We recite quotes and facial expressions from Moe and Lou on a daily basis. Some of my favorites are "The Sh*t Moe, The Sh*t" "I know about crucial, Moe", and "It's not every hooker from New York that can do a cheer like that let me tell you."
This is the most comical Lynch piece I have ever seen, Let me tell you. The humor is varied but does have a underlying consistent form which is crucial. All in all this movie is the Sh*t Moe the Sh*t!
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