In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese ...
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Late 1800s Foshan, Guangdong: Wong Fei Hung/Jet Li trains men in martial arts to help defend against foreign powers already holding Hong Kong and Macau. He looks after cute 13th Aunt, who's just returned from England. Lots of fight scenes.
This Hong Kong martial-arts extravaganza tells of evil emperors and true love. The secret Red Lotus Flower Society is committed to the overthrow of the evil Manchu Emperor and his minions. ... See full summary »
The Cantonese hero Fong Sai Yuk becomes involved in the secret brotherhood "The Red Flower", who are trying to overthrow the Manchurian emperor and re-establishing the Ming dynasty. The ... See full summary »
Brand new epic adventure set during a tumultuous time in China, when left without a leader, the cavalry is attacked by the powerful allies and pirate bands. A martial arts master, Wong ... See full summary »
Two friends, ex Shaolin monks, part ways as they brush with the ongoing rebellion against the government. The ambitious one rises up to be a powerful military commander, while his betrayed friend resorts to learn the calm ways of Tai Chi.
A young man, hounded by a psychopathic general, learns martial arts at the Shaolin temple to avenge his father's death. To achieve this he forgoes a budding romance with his kungfu master's daughter, a shepherdess.
In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend Dr. Sun Yat Sen, a revolutionary, from the military. With his friends, loved ones, and the future of China itself at stake, Wong must once again use his martial arts skills to defend the innocent.Written by
More dreams of China and a few comments of "Sino-centrism"
Another excellent entry into the series dealing with China coming to terms with foreign influence and an uncertain future, infused with romance, humour and some outstanding choreography. The well-drawn cast includes Dr Sun Yat-Sen which brings some historical credibility, but adds irony as well, since Dr Sun's idealism may have been misplaced. Oh yeah, its got some great fighting in it too...
I find previous accusations implying racism in this film to be misguided and deeply ignorant. The Wong Fei-Hung series highlights the historical turmoil felt in China from external trade interest and internal political pressure. Foreign characters are shown as both villainous and sympathetic (just like the Chinese characters). OUATIC II portrays the xenophobia of the White Lotus Cult as a Very Bad Thing, and the confusion at western objects and inventions varies from the hilarious train sequence to the superstitious fear of the camera. It's self-mockery, but it's bittersweet. If anything, Tsui Hark is implying a loss of innocence.
If the foreign powers are portrayed in a negative light, it's because our presence in China was motivated by greed and imperialism. Hardly the most noble of motives. But then nobody's perfect, and China's human rights record is less than great before and after the revolution.
I'm staggered that anyone could be so utterly stupid as to ascribe Nazi overtones to a film which goes so far to portray nobility, humanism and honour. Anyway, great film.
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